This was a fun program, albeit (or because it was?) overdetermined. I had a plan going in, and then I had another plan, which was sort of not to have a plan, so I brought in way too much stuff and this is what happened....
This was a fun program, albeit (or because it was?) overdetermined. I had a plan going in, and then I had another plan, which was sort of not to have a plan, so I brought in way too much stuff and this is what happened.
Window Window, "Physical Evidence" on the night, was always part of the plan and not-plan and therefore aired as planned or not-planned.
For a little while I had an in-studio guest, Alex Reed of Seeming and of this tome. He is an aspiring WRFI personality and contributed the Rhythm & Noise track to the evening's set. Making his acquaintance, and digging through the book, have got me thinking about the past, to which I am prone anyway.
I was really into Wax Trax! in the mid-80s and remember playing a lot of that stuff on the radio back then. I recently took another look at their Black Box collection, which I once owned (the metal / fishnet edition, with coasters & loose audiotape and everything), but wound up selling. Almost none of it interests me. I wonder why and how that happened, as I tend to hang onto things, emotionally if not literally. It takes quite a lot to provoke a "that's no longer me" response. You'd think I would remember such a catalyst, but apparently my drift into "shoegaze" / "dreampop" / "afrofuturism" is part of that "lost time" that my (as yet unretained) therapist and I need to unlock.
I suspect that my fascination with that music had a lot to do with my search for something that sounded like the washing machine mentioned in this interview (what a different time that was), and that at one point there was (or seemed from a distance to be) such a small set of that music that nearly all of it sufficed. I didn't like it when the music turned functional and/or got names. I didn't like it when things went showbiz (e.g. the antics of Trent Reznor). I didn't like it when it became
de rigeur to sample evangelicals (Cabaret Voltaire owned that gesture from the get-go). I really didn't like it when blackness was incorporated appropriated as kitsch (h/t to Alex for articulating that one).
Maybe I don't need a therapist after all, but I still don't know when/how the cumulative effect of all this hit me.
What is ok: Coil, of course, and Chris & Cosey; the subjects of this book; Legendary Pink Dots (though they'd never be considered "industrial" by 2015 standards); Test Dept.; Bourbonese Qualk; just about everyone in the
Industrial Culture Handbook (although Boyd Rice* and Genesis P-Orridge are thoroughly insufferable for various reasons). Oh, and Suicide, to whom just about everyone owes a debt.**
Almost forgot:
With Sympathy by Ministry. That is ok too, fake accent and all.
BOMBAST playlist, 2015 July 15, 2100-2300:
- "Red Skeletons" | Coil Presents Black Light District | A Thousand Lights in a Darkened Room | Eskaton
- "Auto-Suggestion" | Joy Division | Substance | Factory
- "Desert - Danton Eeprom Protofunk Rework" | Mahk & Morpheus | Desert | Souvenir
- "Window Window" | Cassegrain & Tin Man | Window Window | Infrastructure New York | "Physical Evidence"
- "Next Door" | Deru | Trying to Remember | Merck
- "Without Your Eye" | Rhythm & Noise | Chasms Accord | Asphodel
- "Moon Scapes 2703 BC" | The Orb | Moonbuilding 2073 AD | Kompakt
- "Breathe Deep" | Cabaret Voltaire | 2 x 45 | Rough Trade
- "Ether Ether" | Cassegrain & Tin Man | Window Window | Infrastructure New York | "Physical Evidence"
- "Il Collo et la Collana 06" | Rayon | Il Collo et la Collana | Alien Transistor
- "Flying Fortress" | Weird Owl | Interstellar Skeletal | A Recordings
- "Chinese Rocks" | Johnny Thunders | I ♥ NY Punk | Mojo Magazine
- "Anneannemin Koah'si" | Ah! Kosmos | Flesh | Denovali
- "Seduct Seduct" | Cassegrain & Tin Man | Window Window | Infrastructure New York | "Physical Evidence"
- "Afghani Dub" | The Mothmen | Pay Attention! | On-U Sound
- "Central Control" / "Round Up the Usual Suspects" | Barry Adamson | Moss Side Story | Mute
- "Crucial Tony Tries to Rescue the Space Invaders" | The Dub Syndicate | An On-U Journey Through Time & Space | On-U Sound
- "Subliminal" | WhoMadeWho | Ember EP | Get Physical
- "No. 29 Pareto 20/80" | Terron | Whities 003 | Whities
- "Modulor Mix" | Air | Premiers Symptomes | Rhino
- "Dings" | Tiefschwarz | Left | Watergate
- "Faint Faint" | Cassegrain & Tin Man | Window Window | Infrastructure New York | "Physical Evidence"
just wondering where i fit in
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* ugh, though, still have some Boyd Rice in the collection.
**also the Cabs. And 23 Skidoo. and Zoviet:France. I'm probably finished now.