4. Broken Time

Previously: On board the Revenge, the frosty-but-curious relationship between Bonny and Read comes to a head, as they clear the air with a heated sparring match. Read decides to reveal that she was born Mary, not Mark. Meanwhile, some weeks have passed, and Nathaniel Mist is on good terms with the pirates. Read, who has rallied from fever, chastises Mist for endangering himself with his seditious newspaper, Mist’s Weekly Post, which he is using to publish inflammatory letters under the name Captain Charles Johnson. Suddenly, Turnkey Scratby, furious that Anne has stabbed a ‘punter’ with one of Mist’s pencils, demands that he leave Newgate. Mist refuses, and the Turnkeys knock him unconscious. In his dream, we flashback to the Revenge, where Barnet attempts to invoke a mutiny, but is beaten in a duel by Read and forced to flee the ship. In this episode: Bob comes to Mist in a dream, and shows him the capture of the Revenge, Barnet reveals his true colours, Mist finds help in an unlikely ally, and Anne hatches a plan... Featuring Christina Bianco as Anne Bonny, Sooz Kempner as Mary Read, Karl Queensborough as Nathaniel Mist, John Henry Falle as Jonathan Barnet, Carole Stennett as Bess the Ballad Singer, Laurence Owen as Dobbin, Turnkey Peters and additional voices, Hayley Evenett as Bob and Wren, James Ducker as Turnkey Scratby, Lindsay Sharman as Gin-Soaked Jenny and additional voices, Helen Fullerton as the Landlady, and Ivan Wilkinson as Turnkey Gregory. Further additional voices by Dominic Brewer. Produced by Long Cat Media. Episode 4 is released on May 27th. For transcripts and additional info about this podcast and our other productions, visit http://www.longcatmedia.com/ (www.longcatmedia.com) You can support Laurence and Lindsay by buying them a coffee! Donate a one-off or monthly gift at http://www.ko-fi.com/longcatmedia (www.ko-fi.com/longcatmedia), and get exclusive bonus and behind the scenes content. Follow us @LongCatMedia on Twitter, Instagram and Facebook, and also @BalladAnneMary on Twitter. This podcast was supported by funding from Arts Council England, the UEA Enterprise Scheme, and our Ko-fi patrons. 

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