Brotherly Love 4 - O Brother, Where Art Thou? vs Me, Myself & Irene

This week on The Pod Charles Cinecast, it's the penultimate episode of the monthly miniseries – BROTHERLY LOVE – where we are pitting some films from filmmaking brothers the Coen Brothers vs. the Farrelly Brothers. This month, we hit the road in the year 2000, with two films featuring people looking to clear their name. It's Joel & Ethan Coen's folk musical comedy O BROTHER, WHERE ART THOU? and Peter & Bobby Farrelly's dark comedy ME, MYSELF & IRENE.

In O Brother, Where Art Thou?, George Clooney stars as Ulysses Everett McGill, a criminal who convinces two fellow convicts (Tim Blake Nelson and John Turturro) to break out of prison to seek treasure he left buried from a previous job. Turns out he really just wants to stop his wife (Holly Hunter) from getting remarried. Along their journey, they meet a young black musician who sold his soul to the devil, and cut a hit record together. They also meet a cyclops, sirens, and countless others in this unique adaptation of Homer's The Odyssey. With more brilliant cinematography from Roger Deakins, a tremendous soundtrack featuring loads of old folk, gospel, and bluegrass standards, and quality performances all around, this is another winner for Joel and Ethan Coen. Can they ever be stopped?

The Farrelly Brothers can attempt to do so with their road comedy Me, Myself & Irene, starring Jim Carrey in his first film with the Farrelly's since Dumb and Dumber. Carrey, who was just coming off starring in back-to-back serious roles (The Truman Show and Man on the Moon) returned to the gross-out comedy as Charlie Baileygates, a Rhode Island state trooper who develops a split personality. Charlie must escort Irene (Renée Zellweger) to New York, where she is wanted for hit-and-run. The pair are then forced to go on the lam to avoid Irene's mafia-connected ex-boyfriend, whilst Charlie is also trying to suppress his new alter-ego, Hank. Some of this one holds up, but it is pretty much relying on a very wrongfully depicted mental illness – so take that for what you will. Is it enough to topple the sweet tunes of O Brother? We'll let you decide...

Which brother will win Brotherly Love, and be crowned the best brother filmmaking duo of the 90s? Tune in to find out...

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