In Episode 28, we conclude our time with The Empire Strikes Back, and our exploration of perhaps the best Star Wars film and score ever made. In this episode, we make our way through some remaining themes and motifs, as well as the major action setpieces of the film, and ask the biggest question of all: is this the best film score ever written?
Podcast RSSEpisode notes:
2:41 – The Days of Han and Leia
6:37 – Tchaikovsky’s Star Wars
11:51 – Han’s Soli
14:21 – Williams’ melodic patterns
15:27 – A polite argument (for strings)
20:14 – Melodus interruptus
24:22 – Bespin Cellos
25:51 – I love cue (I know)
30:48 – Resolving Solo and the Princess
36:32 – Bassoon Fett
43:36 – The droids dance
52:43 – The droids return in Solo
54:18 – Hyperspace strings
58:28 – Empire’s action ostinati
1:05:24 – Lando’s palace, where all your dreams come true
1:07:42 – A choir in the clouds
1:11:34 – The magic tree
1:15:10 – The synth side of the force
1:17:52 – John Williams’ best action cue, ever?
1:25:08 – The space tritone
1:28:31 – Looping the woodwinds
1:29:43 – The battle in the snow
1:34:29 – The Carbonite Procession, and John Williams’ greatest finale ever?
1:40:32 – The end credits
1:45:43 – The greatest score ever written?
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Episode 36: Interstellar
Episode 35: Studio Fanfares Part 2
Episode 34: Studio Fanfares Part 1
Episode 33: Arrival
Episode 32: The Mummy
Episode 31: How To Train Your Dragon
Episode 30: The Little Mermaid
Episode 29: The Film Music of Nick Cave & Warren Ellis
Episode 27: The Empire Strikes Back - Part 1
Episode 26: Blade Runner 2049
Episode 25: Blade Runner
Episode 24: Harry Potter and the Prisoner of Azkaban - Part 2
Episode 23: Harry Potter and the Prisoner of Azkaban - Part 1
Episode 22: Conan the Barbarian
Episode 21: Journey
Episode 20: James Bond - Part 3
Episode 19: James Bond - Part 2
Episode 18: James Bond - Part 1
Episode 17: Gladiator
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