Our next film in Season 4 is 1931’s JIROKICHI THE RAT, the second in our chronological journey through a century of martial arts films. Sam’s a little luke-warm to start with, but is won round in the end — via discussions of cinematic archetypes, innovative camera techniques, and what it means to be a samurai.
Next Week The next film we take on is the directorial debut of an auteur we featured on the podcast last year, Akira Kurosawa: SANSHIRO SUGATA (1943). Watch it through the BFI Player/Amazon, here: www.amazon.co.uk/Sanshiro-Sugata-Denjiro-Okochi/dp/B07116L3MQ/ref=sr12?ie=UTF8&qid=1548627698&sr=8-2&keywords=sanshiro+sugata
This Week’s Media IN A VALLEY OF VIOLENCE (2016): Ti West, Ethan Hawke, Taissa Farmiga LES MISERABLES (2018): Tom Shankland, Adeel Akhtar, David Oyelowo
Recommendations RONIN (1998): John Frankenheimer, Robert De Niro, Jean Reno ESCAPE FROM NEW YORK (1981): John Carpenter, Kurt Russell, Lee Van Cleef RASHOMON (1950): Akira Kurosawa, Toshiro Mifune, Machiko Kyō BUTCH CASSIDY AND THE SUNDANCE KID (1969): George Roy Hill, Paul Newman, Robert Redford
Footnotes First, we should link to an explanation of so-called ‘tendency’ films, for which the director (Daisuke Itō) was famous at the time: en.wikipedia.org/wiki/Tendencyfilm. This is a good book on the various changes in Japanese cinema around the time that OROCHI and JIROKICHI THE RAT were made, and the cultural aftermath of these: books.google.co.uk/books/about/AHundredYearsofJapaneseFilm.html?id=s7-Gon5-a0C&rediresc=y. On the innovative use of camera movement in films, this is a good article: www.filmcomment.com/article/game-changers-camera-movement. Finally, this is an engaging piece about the idea of ‘the hero’s journey’, which Rob mentions this week (but which, actually, is a trope these films seem to undercut!): venngage.com/blog/heros-journey.
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4.42 - THE JUNGLE BOOK (2016) & Individuality
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4.40 - WIDOWS (2018) & Loss
4.39 - THE PERFECT SCORE (2004) & Aspiration
4.38 - LOCK, STOCK, AND TWO SMOKING BARRELS (1998) & Remixing
4.37 - THE USUAL SUSPECTS (1995) & Story-Telling
4.36 - THIEF (1981) & Honour
4.35 - THE STING (1973) & Façades
4.34 - THE ITALIAN JOB (1969) & Nationalism
4.33 - BONNIE AND CLYDE (1967) & Iconoclasm
4.32 - OCEAN’S ELEVEN (1960) & Camaraderie
4.31 - RIFIFI (1955) & A Code of Honour
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4.30 - BOOKSMART (2019) & Heartbreak
4.29 - SING STREET (2016) & Creativity
4.28 - THE PERKS OF BEING A WALLFLOWER (2012) & Hopeful Realism
CRIMSON PEAK (2015) & The Gothic
4.27 - ST TRINIANS (2007) & Unity
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