Art critic Alastair Sooke, in the company of some of the leading creatives of our age, continues his deep dive into the stunning works in the Museum of Modern Art's collection, whilst exploring what it really means “to see” art.
Today's edition features playwright, librettist and screenwriter, David Henry Hwang. He chooses a painting by the artist Martin Wong - Stanton near Forsyth Street (1983).
Producer: Tom Alban
Main Image: Credit: Martin Wong, Stanton near Forsyth Street, 1983. Acrylic on canvas, 48 x 64" (121.9 x 162.6 cm). Courtesy of the Estate of Martin Wong and P.P.O.W Gallery, New York, NY. Museum of Modern Art, NY, 863.2011
Alastair Sooke
Yves Behar and the IEC's Power Symbol
Lady Ruth Rogers on Henri Rousseau's The Dream
Stanley Tucci and Giacometti's Head of a Man on a Rod
Isabella Boylston on Maya Deren and Talley Beatty
Liz Diller on Marcel Duchamp's Network of Stoppages
Orhan Pamuk on Taglioni's Jewel Casket by Joseph Cornell
Sarah Sze and Siddhartha Mukherjee on Louise Bourgeois's Quarantania, I
Mark Morris on Florine Stettheimer's Costume Design for Orphée
Zac Posen on Constantin Brancusi's Bird in Space
Madeleine Thien on Vija Celmins’s Bikini
Richard Serra on Jackson Pollock
Bryan Stevenson on Jacob Lawrence’s Migration Series
Fiona Shaw on Georgia O'Keeffe's Lake George, Coat and Red
The Director's Choice
Renee Fleming chooses Colors for a Large Wall
Hisham Matar with Man Sleeping Along the Seine
Es Devlin on Felix Gonzalez-Torres's Perfect Lovers
Roxane Gay and Christ's Entry into Journalism
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