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TIH 231: Max Booth III and Lori Michelle on Lost Films, Faces of Death, and Bizarre Films
[Preview] SU 005: Raw (2016)
TIH 230: Peng Shepherd on The Book of M, Identity and Culture, and Lessons from her Creative Writing MFA
[Preview] SU 004: Day of the Dead (1985)
TIH 229: Jonathan Janz on It’s Good Because … , Diversity and Privilege, and Putting Love First
TIH 228: Jonathan Janz on Overcoming Fear, Being Your Authentic Self, and The Siren and the Specter
[Preview] SU 003: The Yellow Wallpaper by Charlotte Perkins Gilman (1892)
TIH 227: Jonathan Janz on Gravitating Towards Do, Dealing with Rejection, and Permission To Suck
TIH 226: Kurt Fawver on The Dissolution of Small Worlds, Thomas Ligotti’s Work as Conspiracy, and Special Collections
TIH 225: Kurt Fawver on The Known vs. The Unknown, Cultural Anxieties, and The Paranormal
TIH 224: Joshua Chaplinsky on LitReactor, Chuck Palahniuk, and Juicy Hollywood Rumours
TIH 223: Joshua Chaplinsky on Kanye West Reanimator, H.P. Lovecraft, and Lessons from Writing Screenplays
TIH 222: Tade Thompson on The Murders of Molly Southbourne, Rosewater, and Nigeria
TIH 221: Tade Thompson on Growing Up in South London, Editors, and Writing Lessons from Martial Arts
TIH 220: Patrick Lacey on We Came Back, Collaborations, and Worst Writing Advice
TIH 219: Patrick Lacey on Growing Up in a Haunted House, Bone Saw, and Sleep Paralysis
TIH 218: Craig Davidson on Pseudonyms: Craig Davidson vs. Nick Cutter, The Saturday Night Ghost Club, and Writing Supernatural and Human Villains
TIH 217: Craig Davidson on Nick Cutter, Mid-Career Writers, and Creative Burnout
TIH 216: C.V. Hunt on Ritualistic Human Sacrifice, Cockblock, and Grindhouse Press
TIH 215: C.V. Hunt on The Sociopath Next Door, Bentley Little, and Deciding to Write
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