In this episode, I talk about Michael Haneke's controversial and thought-provoking 1997 film, "Funny Games." It's a thriller that breaks all the rules and raises questions about the representation of violence in mass media. A family is terrorized in their vacation home by two young men who take enjoyment in brutality and degradation. Haneke uses surprising and unexpected techniques to confront the audience of his film and to make us think deeper and more critically about the violence and suffering we see in movies and television. This episode contains spoilers.
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Original logo by Dhiyanah Hassan
Full Show Notes:
All My Sources
Ken Loach's 'I, Daniel Blake' (2016)
Abbas Kiarostami's Koker Trilogy
Abbas Kiarostami's 'Where Is My Friend's House' (1987) and Mohammad-Ali Talebi's 'Willow and Wind' (2000)
Abbas Kiarostami's 'Taste of Cherry' (1997)
Claude Chabrol's 'La Cérémonie' (1995)
Christian Petzold's 'Phoenix' (2014)
Alan J. Pakula's 'Sophie's Choice' (1982)
Satyajit Ray's Apu Trilogy
Satyajit Ray's 'Pather Panchali' (1955)
Jean-Jacques Beineix's 'Locked-In Syndrome' (1997) and Julian Schnabel's 'The Diving Bell and the Butterfly' (2007)
David Lean's 'Summertime' (1955)
Krzysztof Kieślowski's 'The Double Life of Veronique' (1991)
Satyajit Ray's 'The Big City' (1963)
João Dumans and Affonso Uchoa's 'Arábia' (2017)
Barry Jenkins's 'Moonlight' (2016)
Jennie Livingston's 'Paris is Burning' (1990)
Stanley Tucci and Campbell Scott's 'Big Night' (1996)
How I Discovered Cinema and Why It's So Important to Me
Krzysztof Kieślowski's 'Dekalog'
An Introduction
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