The last time the Writers Guild of America hit the picket line was fifteen years ago, with a strike that lasted a hundred days and cost the city of Los Angeles hundreds of millions of dollars. This year’s strike has the potential to drag on even longer. At the core of the dispute is the question of who deserves to profit from the revenue generated by streaming services. “[Studios] tell us that they can’t afford the cost of us,” Laura Jacqmin, a veteran TV writer and a W.G.A. strike captain tells the staff writer Michael Schulman. “And simultaneously they’re on their public earnings calls, trumpeting bright financial futures to their shareholders.”
Plus, the comedian and essayist Samantha Irby talks with the staff writer and critic Doreen St. Félix. Irby is beloved by fans for her particularly unvarnished truth-telling. She recently started writing for television on shows like Hulu‘s “Shrill” and HBO’s “And Just Like That . . .,” the “Sex and the City” reboot, which returns for a second season in June. But she has also maintained her memoir-writing practice, and is out with a new essay collection, “Quietly Hostile,” in May.
Rubén Blades Wasn’t Supposed to Be a Salsa Star
Al Gore on the Climate Crisis: “We Have a Switch We Can Flip”
Introducing Critics at Large: The Myth-Making of Elon Musk
Should Biden Push for Regime Change in Russia?
Olivia Rodrigo Talks with David Remnick
Hernan Diaz’s “Trust,” a Novel of High Finance
Kelly Clarkson on Writing About Divorce
Naomi Klein Speaks with Jia Tolentino about “Doppelganger”
A Solution For the Chronically Homeless, and Listening to Taylor Swift in Prison
Richard Brody Makes the Case for Keeping Your DVDs
A Master Class with David Grann
Alone and on Foot in Antarctica
No More Souters
How Does Extreme Heat Affect the Body?
The Origins of “Braiding Sweetgrass”
Tessa Hadley on What Decades of Failure Taught Her About Writing
Talking to Conservatives about Climate Change
The Novelist Esmeralda Santiago on Learning to Write After a Stroke
Will the End of Affirmative Action Lead to the End of Legacy Admissions?
James McBride on His New Novel, “The Heaven & Earth Grocery Store”
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