I had the great joy to do my first ever live edition of Sticky Notes last month with the Aalborg Symphony in Denmark. For this concert, I chose a piece that is extremely close to my heart, Dvorak's New World Symphony. The story of the New World Symphony is a fascinating one. The symphony was the result of an extraordinary series of events, with Dvorak coming to America in 1892, meeting the great singer Harry Burleigh, and falling in love with a totally new, to him, genre of music: Black American and Native American folk music. Listening to Burleigh and other voices around America, Dvorak had discovered a new “American” sound for his music, and even though he would end up staying in the US for just three years, in that time he composed two of his most popular pieces, the American String Quartet, and the New World Symphony
Bruckner Symphony No. 4
Stravinsky Pulcinella
The Music of William Grant Still
Mozart Symphony No. 36, "Linz"
Caroline Shaw on Composing, Performing, and Letting Go
Goldberg Variations Mini-Episode + Announcement
Bach, The Goldberg Variations
"Chasing Chopin," with Annik LaFarge
Brahms Requiem
Talking Conducting, Studying, and Loneliness w/ Dalia Stasevska
The Connection Between Language and Music w/ Yundu Wang
A Decidedly Undogmatic Conversation w/ Mahan Esfahani
Mahler Symphony No. 6, Part 3
Mahler Symphony No. 6, Part 2
Programming Post-Covid, Competitions, and the Negro Folk Symphony, w/ Ryan Bancroft
Mahler Symphony No. 6, Part 1
Founding an Orchestra, w/ Eric and Colin Jacobsen of The Knights
Saint-Saens Symphony No. 3, "Organ"
The Organ, Competitions, Filmmaking, and more w/ Alcee Chriss and Stacey Tenenbaum
Beethoven Triple Concerto
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