Why is worldbuilding is essential in your writing? Today, we answer this question and dive into some working definitions of how we want to talk about it. After the break, we discuss why we chose this book Arkady Martine’s “A Memory Called Empire” and highlight what it does well. We dive into the elements that help make Martine’s worldbuilding so accessible and effective.
Thing of the Week:
“Fast Car” by Tracy Chapman (think about what it teaches you about POV!)
Homework:
Pick your favorite fictional worlds and for each write down three defining attributes that establish culture, legal systems, and physical spaces.
Here’s a link to buy your copy of “A Memory Called Empire” if you haven’t already:
https://bookshop.org/lists/close-readings-season-19
Sign up for our newsletter:
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Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
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16.19: Intro to Roleplaying Games
16.18: Poetry and the Fantastic
16.17: The Time To Rhyme
16.16: Poetic Structure: Part II
16.15: Poetic Structure, Part I
16.14: Poetic Language
16.13: Day Brain vs. Night Brain
16.12 : Singing Versus Speaking
16.11: What is Poetry?
16.10: Paying it Forward, with Kevin J. Anderson
16.9: Crossing The Revenue Streams
16.8: Smart Promotion
16.7: To Series, or Not to Series
16.6: Building Your Brand
16.5: Pros and Contracts
16.4: Networking
16.3: Publishing Pitfalls
16.02: Publishers Are Not Your Friends
16.01: Your Career is Your Business
15.52: Economy of Phrase, Being the Concentrated Concatenation of Complex Thoughts in Just a Very Few Words Which Must Fit In A Very Very Small Box, With Patrick Rothfuss
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