TIH 223: Joshua Chaplinsky on Kanye West Reanimator, H.P. Lovecraft, and Lessons from Writing Screenplays
TIH 222: Tade Thompson on The Murders of Molly Southbourne, Rosewater, and Nigeria
TIH 221: Tade Thompson on Growing Up in South London, Editors, and Writing Lessons from Martial Arts
TIH 220: Patrick Lacey on We Came Back, Collaborations, and Worst Writing Advice
TIH 219: Patrick Lacey on Growing Up in a Haunted House, Bone Saw, and Sleep Paralysis
TIH 218: Craig Davidson on Pseudonyms: Craig Davidson vs. Nick Cutter, The Saturday Night Ghost Club, and Writing Supernatural and Human Villains
TIH 217: Craig Davidson on Nick Cutter, Mid-Career Writers, and Creative Burnout
TIH 216: C.V. Hunt on Ritualistic Human Sacrifice, Cockblock, and Grindhouse Press
TIH 215: C.V. Hunt on The Sociopath Next Door, Bentley Little, and Deciding to Write
TIH 214: Paul Tremblay on Shirley Jackson, Supernatural Turn-Offs, and Ambiguity in Horror Fiction
TIH 213: Paul Tremblay on The Cabin at the End of the World, Home Invasion Movies, and Anxiety in Horror
TIH 212: Michael Griffin on The Human Alchemy, The Lure of Devouring Light, and the Revision Process
TIH 211: Michael Griffin on Compiling Short Story Collections, Writing and Music, and Writing Advice Ignored
TIHR 001: Jennifer Lynch on Chained, Vincent D’Onofrio, and Broken Humans
TIH 210: Paul Michael Anderson on Bones are Made to be Broken, Harlan Ellison, and Short Story Notes
TIH 209: Paul Michael Anderson on Redrafting, Submitting Stories, and Writing Without Rules
TIH 208: Laird Barron on Crafting Sentences, Alibi Construction and Evidence Disposal, and Supernatural Short Stories
TIH 207: Laird Barron on Blood Standard, Crime Fiction, and Toning Down The Weird
TIH 206: Michelle Garza on Serial Box with Brian Keene, Collaborations, and Writing Heavy Metal Lyrics
TIH 205: Michelle Garza on Collaborative Writing, Kingdom of Teeth, and Writing Realistic Violence
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