TIH 479: Andy Mitton on The Harbinger, Sleep Paralysis, and Composing Film Scores
TIH 478: David J. Schow on The Crow, Splatterpunk, and Robert Bloch
TIH 477: David J. Schow on The Texas Chainsaw Massacre III, The Twilight Zone Magazine, and Screenwriting
TIH 476: John Niven on Kill Your Friends, The Trip, and The F*ck-it List
TIH 475: Brian Asman on Return of the Living Elves, Unusual Writing Locations, and Juggalos
TIH 474: Brian Asman on Man, Fuck This House, Blackstone Audio, and Pranks
TIH 473: Jonathan Janz on The Dismembered, Marla, and Method Writing
TIH 472: Jonathan Janz on Literary Agents, Editing, and Screenwriting
TIH 471: Jonathan Janz on Forgiveness, Children, and Biggest Personal and Professional Changes
TIH 470: Will Carver on God Complexes, DoTrue, and Writing For Yourself
TIH 469: Will Carver on Suicide Thursday, The Daves Next Door, and Crop Circle Theories
TIH 468: Paul Tremblay on Unreliable Narrators, Writing Without Outlining, and Anxiety in Fiction
TIH 467: Paul Tremblay on The Pallbearers Club, Knock At The Cabin, and The Legend of Mercy Brown
TIH 466: Matthew Holness on Garth Marenghi’s TerrorTome, Darkplace, and Possum
TIH 465: Jason Pargin on If This Book Exists, You’re in the Wrong Universe, Crazy Technology, and Experimental Writing
TIH 464: Jason Pargin on TikTok, Pargin vs. Wong, and Curating Social Media Posts
TIH 463: Tyler Jones on Criterium, Burn The Plans, and Portraying Addiction
TIH 462: Tyler Jones on Beautiful Writing, Patrick deWitt, and Literary Agents
TIH 461: Tyler Jones on Early Life Lessons, Mark Rylance, and Collecting Books
TIH 460: Gemma Amor on Angry Robot, Artificial Intelligence, and Dear Laura Adaptations
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