TIH 406: Jennifer Trudrung on The Nest, Here There Be Tygers, and Writing and Acting
TIH 405: Laurel Hightower on Crossroads, Hill House vs. Hell House, and Classic Horror Literature
TIH 404: Laurel Hightower on Whispers in the Dark, Shirley Jackson, and Growing Up in Kentucky
TIH 403: Antony Johnston on Resident Evil Village, Writing Horror Video Games, and Genre Tropes in The Fuse
TIH 402: Craig Clevenger on his Fourth Novel, Writing Each Story as if it’s Your Last, and Advice to Eighteen-Year-Old Self
TIH 401: Craig Clevenger on The Contortionist’s Handbook, Writing Dialogue, and Dermaphoria
TIH 400: Jeffrey Reddick on Final Destination, Don’t Look Back, and Social Commentary in Movies
TIH 399: Gwendolyn Kiste on Boneset & Feathers, Witches, and Optimism Winning
TIH 398: Cullen Bunn on Shadow Man, Harrow County, and The World’s Youngest Hypnotist
TIH 397: Cullen Bunn on The Damned, Marvel Comics, and Do’s and Don’ts for Comic Book Writers
TIH 396: Eden Royce on Spooklights, Young Adult vs. Middle-Grade Fiction, and Writing Two Novels at Once
TIH 395: Eden Royce on Root Magic, Southern Gothic Horror, and the Gullah-Geechee Nation
TIH 394: Sarah Pinborough on Behind Her Eyes, Dead to Her, and Selling Books for TV Adaptations
TIH 393: Wrath James White on Succulent Prey, Sex Addiction, and Collaborating with Edward Lee
TIH 392: Wrath James White on Extreme Horror, Uncomfortable Writing, and The Resurrectionist
TIH 391: Richard Chizmar on Chasing The Boogeyman, Third Collaboration with Stephen King, and Gwendy
TIH 390: Sarah Langan on Witchcraft Horror, Writing Advice, and the Best Horror of the Last Ten Years
TIH 389: Sarah Langan on Good Neighbors, You Have the Prettiest Mask, and Promoting Books During COVID-19 Pandemic
TIH 388: Gemma Amor on Calling Darkness, Haunted Pubs, and Being Kind To Yourself
TIH 387: Gemma Amor on Cruel Works of Nature, Mental Health and Creativity, and Writing for Audio
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