Peter Van Norden from Ep. #7 talks text work on performing platitudes and pauses in Harold Pinter's The Hothouse. As he was in rehearsals when we spoke, you'll hear how Peter is still figuring things out, still asking questions, and not really sure exactly where he'll ultimately arrive with this piece, and we're along for that journey.
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Peter's monologue from The Hothouse by Harold Pinter
ROOTE
Patients, staff and understaff. A very merry Christmas to you all, and a happy and prosperous new year. And on behalf of all the staff I'd like to wish all the understaff the very best luck for the year to come and a very happy Christmas. And to the patients I should like to send a personal greeting, to each and every one of them, wishing them the heartiest compliments of the season, and very best wishes, on behalf of the staff, the understaff and myself, not forgetting the Ministry, which I know would be glad to be associated with these words, for a healthy, happy and prosperous new year.
/Pause/
We have had our little difficulties, in the year that is about to die, our little troubles, our little sorrows as well as our little joys, but through working together, through each and every one of us pulling his weight, no matter how lowly or apparently trivial his job, by working, by living, by pulling together as one great family, we stand undaunted.
/Pause/
We say goodbye to the old year very soon now, and hail the new, but I say to you, as we stand before these embers, that we carry with us from the old year...things...which will stand us in good stead in the new, and we are not undaunted.
/Pause/
Some of you, sitting at your loudspeakers tonight, may sometimes find yourselves wondering whether the little daily hardships, the little daily disappointments, the trials and tribulations which seem continually to dog you are, in the end, worth it. To you I would say one simple thing. Have faith.
/Pause/
Yes, I think if I were asked to convey to you a special message this Christmas it would be that: Have faith.
/Pause/
Remember that you are not alone, that we here, for example, in this our home, are inextricably related, one to another, the staff to the understaff, the understaff to the patients, the patients to the staff. Remember this, as you sit by your fires, with your families, who have come from near and from far, to share this day with you, and may you be content.
Ep #12: Dakin Matthews on Acting the Classics and Your Artistic Family
Ep #11: Ben Whitehair on Building Relationships and Intelligent Rule-Breaking
Ep #10: Gigi Bermingham on Being a Misfit and Living Her Dream
Ep #9: Clyde Kusatsu [Part 2] on Recovery, Preparation, and Serving the Project
Ep #8: Clyde Kusatsu [Part 1] on Discipline and Being 10x Better
Ep #7: Peter Van Norden on Finding Vulnerability and Work Making Work
Text Work: Bartlett's King Charles III with Nike Doukas
Ep #6: Nike Doukas on Determination and Embracing Emotion
Text Work: Stoppard's Rosencrantz and Guildenstern are Dead with Geoffrey Wade
Ep #5: Geoffrey Wade on People vs. Characters and Doing Your Job
Text Work: Singing Coward and Shakespeare's King Lear with Harry Groener
Ep #4: 3x Tony-Nominee Harry Groener on Versatility and Learning Lines Quickly
Happy New Year: 2018 Check-In
Ep #3: Anne Gee Byrd on Being Tough and Enjoying Auditions
Text Work: Shakespeare's Henry VI with Armin Shimerman
Ep #2: Armin Shimerman on Gratitude and Trusting Fate
Ep #1: Robert Pine on Raw Enthusiasm and Knowing Yourself
Coming Soon - The Working Actor's Journey
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