The first line of any story is the most important. People get drawn in to a book because of the first line. Brandon, Howard and Dan talk about how to start a book and what's important about the first line.
19.43: A Close Reading on Structure: Parallelism and Inversion
19.42: A Close Reading on Structure: Whose Perspective is it Anyways?
19.41: A Close Reading on Structure: An Overview and Why Fifth Season
19.40: An Interview on Tension with P. Djèlí Clark
19.39: A Close Reading on Tension: Tying It All Together
19.38: A Close Reading on Tension: Anticipation and Subversion
19.37: A Close Reading on Tension: Movement and Resolution
19.36: A Close Reading on Tension: Narrative vs. Contextual
19.35: A Close Reading on Tension: An Overview and Why Ring Shout
19.34: Grants and Fellowships
19.33: Workshops and Retreats
19.32: An Interview on Character with CL Clark
19.31: A Close Reading on Character: Tying it All Together
19.30: A Close Reading on Character: Agency vs. Choices
19.29: A Close Reading on Character: Barriers vs. Stakes
19.28: A Close Reading on Character: Internal vs External Identity
19.27: A Close Reading on Character: An Overview and Why We Chose C.L. Clark's Stories
19.26: Bringing Falconry into Writing
19.25: From the Classroom to the Page
19.24: An Interview on Worldbuilding with Arkady Martine
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