Not A Diving Podcast with Scuba
Music:Music Interviews
What did you do with your lockdown holiday? I was intending to learn a language and ended up just gaining a bunch of weight.
Our guest this week - Detroit native Eric Cloutier - was a bit more productive than that - he embarked upon a project to reacquaint himself with a record collection that he'd been adding to for over 20 years, which ended up being broadcast to the world in a series of ten mixes entitled The Arsonist & The Architect.
I highly recommend checking out those 20 hours of mixes, in addition to the two that you're going to spend on this week's episode - they are collectively a real example of a top DJ exploring a range of styles in a highly skillful manner.
We discuss the project in the conversation, in addition to more prosaic matters such as the politics of the Detroit music scene, the inspirational nature of Berlin, and attempting to tease out the positive developments in the wider dance scene since the pandemic.
This was a highly enjoyable conversation with someone who I know well socially, but provided me with a lot to chew on and a lot to think about. You're going to enjoy it too!
As hinted at last week, we are celebrating 20 years of Hotflush Recordings this year. I started the label in 2003, so that's where we are.
Already out is a collaborative single I produced with last week's guest, Distance... that's called Opposites and you can listen to that here.
This Friday, a mix entitled 'Hotflush Origins' will be dropping across all platforms. You can probably guess what kind of thing that's going to be, but be sure to check it out - it's a mix I'm really happy with.
And going forward over the next few weeks there will be a series of more singles and mixes - five singles in total, and four mixes. All the info for that can be found at hf20.news - there will be regular updates there, so keep hitting F5.
Finally, there will be a run of shows announced this week so keep an eye out for that. If your city isn't included then fear not - there will be more shows across the world throughout the year!
Patrons will be guest-listed up on request, so don't hesitate to reach out on that.
It's gonna be a lot of fun and I hope to see you all for a dance at some stage before the year is out.
If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...
...in the Hotflush Discord Server
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
For more links and other info visit the official Scuba website
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
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#119 Deas: Outboard vs plugins... is there a right answer? "I don't want to convince anyone!"
#118 Tom Vek: Blockchains, fragmentation, and a post-format world, "It always comes back to songs"
#117 Quinn (Paranoid London): Anonymity and acid house, "We'd always press fewer copies than we had preorders for!"
#116 Ceri: Technique, vinyl, and Ibiza "You have to put your soul into the music"
#115 Cian Ó Cíobháin: 25 years of underground music on Irish public radio
#114 Laurent Garnier: Looking forward, "techno is about tomorrow, not yesterday"
#113 Luke Slater: What is techno? "Sometimes nothing happens... and that's the point"
#112 Doc Scott: DnB from Rage and Metalheadz to now, "it's all about the energy it creates"
#111 James Ellis Ford: producing Depeche Mode, Blur, and Pet Shop Boys, "sometimes it feels totally surreal"
#110 Steve Davis: Snooker, fame, and modular synths, "I was sh*tting myself!"
#109 Chloé Caillet: Circo Loco and classical training, "I had to unlearn all that theory"
#108 Nathan Micay: Making music for Netflix, "They said - we need this by next week!"
#107 Monty Luke: From the Dotcom Bubble to Planet E, "That was a wild time...!"
#106 Alex Paterson (The Orb): Inventing the chilll out room, "We knew what we were doing!"
#105 T.Williams: Tales from the UK Underground, "I was just making tunes and cutting dubplates"
#104 Danny Daze II: Spatial audio and the return of NFTs, "I'm future-proofing my work"
#103 Fracture: Pirate radio and the Nuum, "it was a community-based thing"
Dave Clarke (redux): Techno and politics, "people are scared to speak out"
dBridge (redux): A life in drum n bass, "I make music as therapy"
#102 Machine Woman: Studio efficiency and Tech House, "I'll still be making music whether RA writes about me or not""
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