Not A Diving Podcast with Scuba
Music:Music Interviews
Very few techno records cross over. A ridiculously small number given the mountain of cookie cutter nonsense that gets spewed out in to the ether every week. But every now and then you get one that catches the imagination of a wider audience.
'We Do What We Want' by this week's guest was probably 2016's biggest festival tune, and Alan Fitzpatrick has been hiding from it ever since. Or at least that's the impression he gives on this week's episode - I hadn't really given what must be the quite-considerable-associated-baggage much thought, but when there's a track that big next to your name it definitely changes people's perception of you.
So we discuss all that this week, as well as the DJ circuit and the pros and cons of hitting it as hard as possible, and his extremely-good lockdown album, Machine Therapy.
We also discuss the state of contemporary techno, the legacy of Drumcode, and Alan's formative years on the south coast of England.
Alan Fitzpatrick is one of the good guys of the techno scene, and it was awesome to have him on the show.
If you're into what we're doing here on the pod then you can support the show on Patreon! We'd be honoured and extremely grateful for your contribution to developing the show. Plus there's a private area...
...in the Hotflush Discord Server
Listen to all the music discussed on the show via the Not A Diving Podcast Spotify playlist
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#118 Tom Vek: Blockchains, fragmentation, and a post-format world, "It always comes back to songs"
#117 Quinn (Paranoid London): Anonymity and acid house, "We'd always press fewer copies than we had preorders for!"
#116 Ceri: Technique, vinyl, and Ibiza "You have to put your soul into the music"
#115 Cian Ó Cíobháin: 25 years of underground music on Irish public radio
#114 Laurent Garnier: Looking forward, "techno is about tomorrow, not yesterday"
#113 Luke Slater: What is techno? "Sometimes nothing happens... and that's the point"
#112 Doc Scott: DnB from Rage and Metalheadz to now, "it's all about the energy it creates"
#111 James Ellis Ford: producing Depeche Mode, Blur, and Pet Shop Boys, "sometimes it feels totally surreal"
#110 Steve Davis: Snooker, fame, and modular synths, "I was sh*tting myself!"
#109 Chloé Caillet: Circo Loco and classical training, "I had to unlearn all that theory"
#108 Nathan Micay: Making music for Netflix, "They said - we need this by next week!"
#107 Monty Luke: From the Dotcom Bubble to Planet E, "That was a wild time...!"
#106 Alex Paterson (The Orb): Inventing the chilll out room, "We knew what we were doing!"
#105 T.Williams: Tales from the UK Underground, "I was just making tunes and cutting dubplates"
#104 Danny Daze II: Spatial audio and the return of NFTs, "I'm future-proofing my work"
#103 Fracture: Pirate radio and the Nuum, "it was a community-based thing"
Dave Clarke (redux): Techno and politics, "people are scared to speak out"
dBridge (redux): A life in drum n bass, "I make music as therapy"
#102 Machine Woman: Studio efficiency and Tech House, "I'll still be making music whether RA writes about me or not""
#101 DJ Paulette: The Hacienda and gay clubbing, "The music is better and the DJs are better!"
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