136. Charles Long

Since the early 1990’s, Charles Long has explored the possibilities of sculpture through a rich vocabulary of materials, colors, images and shapes. Incorporating references to art history, popular culture, nature and his own experiences, Long’s work embraces modernist convention as a means of connecting inner and outer realities, forming pathways between one’s mental and bodily experiences and the surrounding environment. Through his many bodies of work over the years, the artist has consistently confronted formal parameters associated with sculpture as obstacles to push beyond, seeing modernism’s trajectory as unfinished and full of possibility.
He and Zuckerman spoke about metaphysical research, why things are happening, the secret of teaching, refinding art on his own terms, psychedelics, Donald D. Hoffman of UC Irvine, “wisdoms of the masters” and access to pure being, what it’s like to die, what he has to offer, wanting everything he makes to be sacred, not finishing anything, and making art that you don’t have to talk about!