Ani DiFranco began recording and self-releasing her music as a 20 year old in Buffalo, New York in 1990. 34 years later she is widely considered to be a feminist icon. But in many ways she emerged iconic, fully formed and fearless.
A facile lyricist with a biting honesty, she played guitar with a virtuosic, rhythmic style. And she was ahead of her time as an independent artist who owned all her own masters and controlled most of the major aspects of her career. She’s sometimes called the mother of the DIY movement.
DiFranco has released all of her albums (over twenty) on her Righteous Babe record label. The label has also put out projects for other distinguished singer songwriters including Andrew Bird, Utah Phillips, Arto Lindsay, and Anaïs Mitchell whose own Hadestown project was first released as an album on Righteous Babe before being transformed into the Broadway hit that it is today.
Ani Difranco’s most recent studio album Revolutionary Love came out in 2021. In 2022 she published a picture book for children called The Knowing which she described as “an Ani DiFranco-style lullaby, inviting young readers to ponder the distinction between outer forms of identity and the inner light of consciousness.” And she will join the cast of Hadestown on Broadway in February, playing the role of Persephone, a part she sang on Anais Mitchell’s original Righteous Babe recording in 2010. So it’s both her broadway debut and a fill circle moment.
In recent years Righteous Babe has released anniversary editions of Ani’s early recordings. In 2022 she revisited the 1998 album Little Plastic Castle, sharing anecdotes and memories of the making of it on social media, and playing some of the songs live. Her memoir, No Walls and the Recurring Dream, was published in 2019.
Here she talks about how she sees her work today (“my job is connecting with people”), her early career (“it was relentless”), avoiding being labeled or boxed in (“I feel like a survivor of labels”), her idea of success (“successful artists are not necessarily the best selling”), raising children in an era of performative identity, practicing revolutionary love and why it’s easier to tell the truth than to hide yourself.
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0:00 Intro
12:00 Interview
31: Peter Coyote, "Every other role but your authentic self has already been taken"
30: Guitarist Charlie Hunter on D'Angelo, limitation, and finding your voice
29: Gabriel Stulman, NYC Restaurateur, on Building Successful Businesses and Allowing for Failure
Episode 14 Redux: Greg Holden
Episode 28: Madeleine Peyroux
Episode 27: Alan Hampton
Episode 26: Falu
Episode 25: Alex Cuba
Episode 24: Bill Stewart
Episode 23: Doug Wamble
Episode 22: Jascha Hoffman
Episode 21: Steve Khan
Episode 20: Jacob Collier
Episode 19: Gil Goldstein
Episode 18: Jon Batiste
Episode 17: Adam Dorn (Third Story vs. Compared to What Conversation)
Episode 16: Janis Siegel
Episode 15: John Ellis
Episode 14: Greg Holden
Episode 13: Michael Hearst
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