In this episode, I explore Yasujiro Ozu's 1949 classic, "Late Spring." Setsuko Hara stars as 27-year-old Noriko who feels a strong bond with her widower father and prefers to live with him instead of getting married. Worried that he will doom his daughter to an unfulfilling life, Noriko's father claims that he intends to re-marry and insists that Noriko have a life of her own with a husband. I talk about Ozu's life, why his directing style is unique, and why this film moves me so deeply. I focus on the relationship between Noriko and her father, and I question why we prioritize romantic love and often do not acknowledge the power of other kinds of love, like that for our parents or our friends.
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Original artwork by Dhiyanah Hassan
Full show notes:
Listen to episodes mentioned:
'Sharp Objects' Recap - Ep 1 and 2
Ingmar Bergman's 'Summer Interlude' (1951)
Jonathan Glazer's 'Birth' (2004)
John Cassavetes's 'A Woman Under the Influence' (1974)
Michael Haneke's 'The Piano Teacher' (2001)
Florian Henckel von Donnersmarck's 'The Lives of Others' (2006)
Guillermo del Toro's 'Pan's Labyrinth' (2006)
Donna Deitch's 'Desert Hearts' (1985)
Kathleen Collins's 'Losing Ground' (1982)
Ounie Lecomte's 'A Brand New Life' (2009)
Joanna Hogg's 'Unrelated' (2007)
Abbas Kiarostami's 'Close-Up' (1990)
Michelangelo Antonioni's 'L'avventura' (1960)
Agnès Varda's 'Cléo from 5 to 7' (1962)
Chris Marker's 'La Jetée' (1962)
Carl Theodor Dreyer's 'The Passion of Joan of Arc' (1928)
Ceyda Torun's 'Kedi' (2016)
Peter Weir's 'Dead Poets Society' (1989)
Larisa Shepitko's 'Wings' (1966) and 'The Ascent' (1977)
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