Mark E. Smith of The Fall was a divisive character, turning people on or off with his kinetic one-note, occasionally slurred, stream of consciousness vocal delivery. After a decade and a half of abrasive post punk, line-up changes and restlessness led to a stylistic change, accounting for several electronic and IDM influenced albums. 1993's The Infotainment Scan falls into this era, while still featuring a jagged guitar line, clean (or sterile) production on programmed drums and synth keyboards dominates the overall sound, featuring odd cover song choices and sonic stretches that left us scratching our heads. There's a lovable cantankerous aspect to Smith's vocals that endears us to his limitations, but hearing the band go full rave seemed to a bridge too far.
Intro - Paranoia Man In Cheap Sh*T Room
14:17 - Glam Racket
19:30 - It's a Curse
28:44 - Ladybird (Green Grass)
Outro - Lost In Music
#535: Rotting Piñata by Sponge
#534: Pushing the Salmanilla Envelope by Jimmie's Chicken Shack
#533: Bring On The Juice by Hoss
#532: Sophomore Slump Revisited - Congratulations, I'm Sorry by Gin Blossoms
#531: Mint 400 by Ammonia
#530: Friction, Baby by Better Than Ezra
#529: Eyewitness by Shades Apart
#528: Tokyo An*l Dynamite by The Gerogerigegege
#527: Cats and Dogs by Royal Trux
#526: Neil Young In The 90s
#525: Clutch by Clutch
#524: Rid Of Me by PJ Harvey
#523: Frizzle Fry by Primus
#522: Albums of 1991 Roundtable
#521: Yank Crime by Drive Like Jehu
#520: Season Ten - Year In Review
#519: Every Good Boy Deserves Fudge by Mudhoney
#518: Waiting For The Punchline by Extreme
#517: Music We're Thankful For In 2020
#516: Fictional Bands and Artists of the 90s
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