We finally really begin Antony and Cleopatra, discussing Plutarch's interest in character, and Shakespeare's, and what makes a tragic character interesting since we know what the plot will be. Aristotle on pity and terror again: usually the protagonist or main is someone innocent or at worst someone like ourselves: not so in Macbeth. After which we start analyzing the opening scene, with comparisons to Lear and to Hamlet as well (on the quantification of love). Many corny jokes.
4 How to talk about the Byronic Hero
Shelley and Byron on Byron
Later Romantics 2: Wordsworth and Milton
1. The Later Romantics: Introduction on Shelley and Wordsworth
Infinity 24: Last class: review and final explication of Zeno
Diagon Alley
Infinity 22: Newcomb's problem; Shelley
Infinity 21: Klee, Kant, Shelley
Infinity 20: Kant on Perception and Free Will
Infinity 19: Hume on induction, Kant on space and time, especially space
Infinity 18: Descartes, Gibson, Turing Tests
Infinity 17: Etherization
Infinity 16: Making Prisoner's Dilemma Vivid
Infinity 15: Pascal
Infinity 14: Polls and other minds
Infinity 13: Elementary probability and the philosophy of probablity
Pascal, the anthropic principle, what counts in philosophy
Infinity 11: by addition, by division, one-to-one correspondence, Macbeth, and time
Infinity 10: Augustine on time and language
Infinity 9: Something of a change of pace
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