We finally really begin Antony and Cleopatra, discussing Plutarch's interest in character, and Shakespeare's, and what makes a tragic character interesting since we know what the plot will be. Aristotle on pity and terror again: usually the protagonist or main is someone innocent or at worst someone like ourselves: not so in Macbeth. After which we start analyzing the opening scene, with comparisons to Lear and to Hamlet as well (on the quantification of love). Many corny jokes.
A day that turned out to be an intro to Paradise Lost (Episode 10)
Different sorts of stresses (Episode 9)
What all poems are always about; ”We are Seven” (Episode 8)
More on lines
What makes a line?
Rhyme. And dialogue -- alternation and conflict in ballads
Rhyme: Making the Arbitrary Make Sense
More on rhyme and meter
some more on ”b o d y” and then on Alice Notley’s ”The Comfort”
First episode of Poetry: A Basic Course:James Merrill’s
Advanced Shakespeare 28, Friday May 1 2020--LAST CLASS. Dolabella and Cleopatra's dream
Advanced Shakespeare 27 April 30 2020 -- The Death of Antony
Advanced Shakespeare 26, Tuesday April 28 2020: Act IV and Antony's Extravagance
Advanced Shakespeare 25, Friday April 24, 2020: Act III concluded: Knowing Antony and knowing Cleoipatra
Advanced Shakespeare 24, Tuesday April 21, 2020: Act III continued: Antony profuse wastefulness
Advanced Shakespeare 23 Friday April 17 2020 -- dramatic perspectives
Bonus aria on Wittgenstein
Advanced Shakespeare 22 Tuesday 4/14/20 Leaders and advisors and news management
Advanced Shakespeare 21 Friday 4/3/2020 Messengers
Advanced Shakespeare 20 Tuesday 3-31-20 She did make defect perfection (Continuing Act II)
Create your
podcast in
minutes
It is Free
Real English Conversations Podcast - Learn to Speak & Understand Real English with Confidence!
» Divine Intervention Podcasts
The Clinical Problem Solvers
TED Talks Education
高效磨耳朵 | 最好的英语听力资源