We discuss one poem of Amy Levy in the context of her short and painful life, then look at Robert Bridges's version of sprung rhythm -- how it differs from his friend Hopkins's and then after a brief and fractional defense of Kipling from the worst that could be said about him, we consider his poem "In the Neolithic Age."
18. Peeping Tom, sort of but mainly Freud on instincts, pleasure, unpleasure, and scopophilia
23. Marvell's "Upon Appleton House" (briefly) and then "The Unfortunate Lover"
18. Vertigo and Freudian repetition
22. Marvell - The Garden
21. Marvell: Damon the Mower and The Garden
16. Other worlds and other minds in Source Code and Groundhog Day
20. Last class on Herbert: The Forerunners; The Pulley
19. George Herbert: Jordan (I), The Flower, Easter Wings, etc.
15. Source Code
14. Groundhog Day
18. First class on George Herbert
13. Skepticism and Zeno's paradoxes, again
17. 17th century poetry: a class on Robert Herrick
16. 17th c poetry, mainly Jonson's Cary-Morrison Ode
12. Film and Philosophy: Akerman's La Captive
11. Film and Philosophy
15, 17th Century Poetry: Ben Jonson, mainly "The Hourglass"
14. 17th C Poetry: Ben Jonson's songs
10. Film and Philosophy: Berkeley and Beckett's
13. 17th C Poetry: Trinity and then Ben Jonson
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