Beginning of Act IV. More on Antony vs. "an Antony." The latter is an object in the world, has worldly being. The former is the extravagant, isolated subjectivity which is the tragic waywardness which is more and more where he is: in "the heart of loss." If extravagance -- waywardness, wandering outside of any world which is one's own, Binswanger's Verstiegenheit -- weren't more intense than worldliness, if things didn't get more intense as one loses everything, tragedy would be of no aesthetic interest. A brief adumbration of the difference between daemonization (for Macbeth) and extravagance (for Antony).
Early Romantics XXVI Climbing Mt. Snowdon in Prelude XIII
Imagining Money XXXVII Wed 5-1-19 Last class: managing desire
Early Romantics XXV 4-29-19 -- The Prelude and Wordsworth in general
Imagining Money XXXVI Mon 4-29-19 Preference, loss aversion, anxiety
Imagining Money XXXV Thurs 4-18-19 maguffins and the management of longing
Early Romantics XXIV Wednesday 4-17-19
Imagining Money XXXIV Wed 4-17-19 Stories of gambling
Early Romantics XXIII Monday 4-15-19 Home and homelessness
Imagining Money XXXIII Mon 4-15-19 How endings shape desires
Imagining Money XXXII Loss aversion - Thaler
Early Romantics XXII Wednesday 4-10-19 Intimations Ode, Prelude, Nature
Imagining Money XXXI -- poker, money, chips, macguffins, loss aversion
Early Romantics XXI Monday 4-8-19 More Intimations Ode
Imagining Money XXX Mon 4-9-19 MacGuffins
Imagining Money XXIX Hyperbolic Discounting
Early Romantics XX Wed 4-3-19
Imagining Money XXVIII Wed 4-3-19 Hyperbolic Discounting and such
Early Romantics XIX Monday 4-1-19 Bouncing around the Prelude
Imagining Money XXVII Mon 4-1-19 Common Knowledge and poker
Imagining Money XXVI Thursday 3-27-19 Mainly on cultural capital
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