As we've discussed previously with episodes on Mötley Crüe and Skid Row, the 1990s were a weird evolutionary period for '80s hard rock and metal bands tagged with monikers "glam" or "hair" to describe their look even if it didn't describe their sound. So much so, there's always a caveat to their '90s releases as to whether the band tried to update their sound to fit in with the new alternative and grunge landscape, or if they kept chugging along with only minor tweaks. In the case of Boston funk-metal band Extreme, their fourth (and until 2008, final) album Waiting For The Punchline ditched the big rock production for a more immediate style that gives the rhythm section more punch but still allows virtuoso guitarist Nuno Bettencourt room to dazzle.
Songs In This Episode:
Intro - Hip Today
18:52 - Waiting For The Punchline
26:42 - There Is No God
30:30 - No Respect
Outro - Evilangelist
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#228: Interview with Stephen Brodsky of Cave In and Mutoid Man
#227: Trysome Eatone by Love Spit Love
#226: One-Hit Wonders of the 90s Discussion
#225: Sing to God by Cardiacs
#224: Interview with Matthew Sweet
#224: Interview with Matthew Sweet
#223: Kim Salmon & the Surrealists by Kim Salmon & the Surrealists
#222: Discussion on Australian Bands of the 1990s
#221: Together Alone by Crowded House
#220: Dig Me Out Goes to College - Capital University Music Tech Workshop
#219: Excerpts from a Love Circus by Lisa Germano
#218: Absolute Zero by Null
#217: Bands Reuniting Round Table Discussion
#216: Release by Cop Shoot Cop
#215: Interview with John Davis of Superdrag and The Lees of Memory
#214: Attack of the Grey Lantern by Mansun
#213: Discussion on Britpop
#212: Your Arsenal by Morrissey
#211: Interview with Kellii Scott of Failure
#210: Blues for the Red Sun by Kyuss
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