We talk to international bestselling writer Mohsin Hamid about his new book, The Last White Man.
The conversation covers the key themes of his new novel: race, transformation, freedom, loss - as well as his journey into writing fiction, and, how a story is only ever half-told, until it finds a reader…
Many will know his Booker shortlisted novels The Reluctant Fundamentalist and Exit West. And some may also know his other novels Moth Smoke and How to Get Filthy Rich in Rising Asia - and a non-fiction book, Discontent and its Civilizations. He writes regularly for The New York Times, the Guardian and the New York Review of Books. Born and mostly raised in Lahore, Pakistan, he has since lived between Lahore, London and New York.
Writing Short Stories with Yan Ge
Music and translation with Kalaf Epalanga & Daniel Hahn
Priscilla Morris on writing resistance and community in Black Butterflies
Working Class Noir with Tom Benn
Writing Real People in Memoir with Katy Massey
How to Write Suspense Fiction with Claire McGowan
Writing a Biography with Patrick Barkham
Life as a Poet - with Raymond Antrobus
Writing About Historical Figures with Victoria Mackenzie
Working with a Translator - with Caroline Lamarche and Katherine Gregor
In conversation with Max Porter at the Book Hive
Interviewing difficult subjects with Richard Balls
In Conversation with British-Nepali Writer and Translator Rabi Thapa
The Martineau Lecture with Kit De Waal
How to Develop Compelling Characters in Your Fiction - with Okechukwu Nzelu
Writer Insights with James Kinsley
Common ground: writing, culture and community in Singapore
How to write humour - with Caimh McDonnell
From writing craft to witchcraft with Kirsty Logan
Literary Translation and Neurodivergence - with Clare Richards
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