Wesley Doyle in conversation with David Eastaugh
http://jawbonepress.com/conform-to-deform/
Along with Factory, Mute, and Creation, Some Bizzare was the vanguard of outsider music in the 1980s. The label’s debut release reads like a who’s who of electronic music, featuring early tracks from Soft Cell, Depeche Mode, Blancmange, and THE THE, while over the next decade its roster would include artists such as Marc Almond, Cabaret Voltaire, Einstürzende Neubauten, Foetus, Swans, Coil, and Psychic TV.
For a time, Some Bizzare was the most exciting independent record label in the world, but the music is only half of the story. Self-styled label boss Stevo Pearce’s unconventional dealings with the industry are legendary. Sometimes they were playful, other times less so; either way, he was a force to be reckoned with. His preternatural ability to spot talent meant his label was responsible for releasing some of the decade’s most forward-thinking, transgressive, and influential music.
Rob Munk
The Frank and Walters - Paul Linehan
Romeo Void with Debora Iyall
Adele Bertei - Twist: An American Girl
Larry Stabbins - Weekend & Working Week
Charlie Beddoes - Rub Ultra , Nasty Little Lonely & Trash Palace
Julia Gorton - NOWHERE NEW YORK
Geir Hornes - The Curious Chronicles of Villa Nellcote
Scrote - David Bowie, Adrian Belew & Peter Murphy
Doug Martsch - Built to Spill
Thalia Zedek - Live Skull, Uzi & Come
Eater with Andy Blade
The Bolshoi with Paul Clark
Martha and the Muffins - Martha Johnson & Mark Gane
Diesel Park West - John Butler
Pat Irwin - Raybeats, 8-Eyed Spy & B52s
Matthew Edwards - Dance, Matthew Edwards & The Futurists/Unfortunates
Vernon Dewhurst - photographer
The Reducers with Hugh Birdsall
Rebecca Pidgeon
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