Wesley Doyle in conversation with David Eastaugh
http://jawbonepress.com/conform-to-deform/
Along with Factory, Mute, and Creation, Some Bizzare was the vanguard of outsider music in the 1980s. The label’s debut release reads like a who’s who of electronic music, featuring early tracks from Soft Cell, Depeche Mode, Blancmange, and THE THE, while over the next decade its roster would include artists such as Marc Almond, Cabaret Voltaire, Einstürzende Neubauten, Foetus, Swans, Coil, and Psychic TV.
For a time, Some Bizzare was the most exciting independent record label in the world, but the music is only half of the story. Self-styled label boss Stevo Pearce’s unconventional dealings with the industry are legendary. Sometimes they were playful, other times less so; either way, he was a force to be reckoned with. His preternatural ability to spot talent meant his label was responsible for releasing some of the decade’s most forward-thinking, transgressive, and influential music.
Bob Andrews - Brinsley Schwarz & Graham Parker and the Rumour
The Bambi Slam - Roy
John Sparrow - Violent Femmes
Andy Shernoff - The Dictators
Gemma Townley - Blueboy
Ali Smith - Speedball Baby
Allan Crockford - The Prisoners, The James Taylor Quartet & The Galileo 7
Andy Spinoza - Manchester unspun How a city got high on music
Larry Schemel - Death Valley Girls, Kill Sybil, Midnight Movies, The Flesh Eaters
Iain Matthews - Fairport Convention, Matthews Southern Comfort & Plainsong
Frank Secich - Blue Ash, Dead Boys, Stiv Bators & Club Wow
Greg Roberts - Big Audio Dynamite, Screaming Target & Dreadzone
Wendy Houstoun
Robert Hecker - Redd Kross and It's OK!
Slade - Dave Hill
Desmond Child
Evergreen Dazed - Elizabeth Bruce
Steve Almaas - Beat Rodeo & The Suicide Commandos
Fifth Column - Caroline Azar & G.B. Jones
Robert Sellers and Nick Pendleton - Marquee: The Story of the World’s Greatest Music Venue
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