As a filmmaker, what do you do when you are making a rather run of the mill, straight forward vanity profile of a well known figure and, in the middle of making this profile, one of the most epic, insane, and legendary events in the history of that person's field occurs?
Do you:
A- Switch the focus of your documentary to this insane event and become the first person to fully report on it, thus giving you orignial control of the broader narrative and create a document that would be referenced in everything ever made about this defining moment.
B- Use it as a build up to a second documentary that then becomes the original version of the story.
C- Just kinda treat it like a thing that happened, kinda tack it on at the end, and then just roll credits.
If you answered "A" or "B," you are not the makers of this movie.
Join us as we discuss the most absurd waste of material ever published.
God's is Dead... Not
The Fate of The Furious
Force Five
On Her Majesty's Secret Service (To Owen With Love)
Kirk Cameron's Saving Christmas 2017
Die Another Day
You Only Live Twice
Casino Royale
Thunderball
Quantum of Solace
Goldfinger
Skyfall
From Russia With Love
The James Bond Files: Spectre
The James Bond Files 1: Dr. No
Criterion Year Week 75: Pan's Labyrinth and Criterion Year Round Up
Criterion Year Week 74: Blood Simple
Criterion Year Week 73: Chimes At Midnight
Criterion Year Week 72: The In Laws
Criterion Year Week 71: Dr. Strangelove or: How I Learned To Stop Worrying And Love The Bomb
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