Welcome to episode 9 of Season 12 of The Coode Street Podcast. This week Jonathan and Gary are joined by Nebula and Philip K. Dick award-winning author and musician Sarah Pinsker, whose new novel We Are Satellites is out this week. We touch upon the actual science of brain implants which served as background research for the novel, her reasons for narrating the story from the points of view of four different family members, the issues of corporate responsibility for new technology, and the surprisingly lax government oversight of medical devices such as those featured in the novel. We also discuss the reception of her much-heralded and prescient novel from last year, Song for a New Day, the challenges of writing near-future SF, her own influences and early reading in the field, balancing a career in music with one in fiction, and some of the stories in her collection Sooner or Later Everything Falls Into the Sea.
As always, we'd like to thank Sarah for joining us and hope you enjoy the episode!
Episode 360: Margo Lanagan, Ellen Klages and Eileen Gunn at WFC 2019
Episode 359: That Old Literary Divide
Episode 358: Science fiction, open borders, and porous boundaries
Episode 357: Library of America and the year's end...
Coode Street Roundtable 2.1: Annalee Newitz’s The Future of Another Timeline
Episode 356: Space opera, WorldCon, Campbell, and other unicorns
Episode 355: A short one
Episode 354: Influence, impact, the sense of wonder, and other critical missions
Episode 353: New projects and old books
Episode 352: A Surplus of Us
Episode 351: A Quick One
Episode 350: Hey, well how about that?
Episode 349: Sarah Pinsker on the road
Episode 348: Nebulas, Hugos, ereading and more
Episode 347: Charlie Jane Anders and The City in the Middle of the Night
Episode 346: Neil Clarke and the State of Short Fiction in 2018
Episode 345: Liza Trombi, Locus, and the Year in Review
Episode 344: Time, Cities and Moving to the Poles
Episode 343: Grand Masters and other Awards...
Episode 342: The Books of 2019
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