In the murder of Elizabeth Short, novelist James Ellroy found a means to grieve over the rape and murder of his own mother. In the novel THE BLACK DAHLIA Betty is at once a symbol of the post-war era torn apart by its passions, and a symbol of Bucky Bleichert's/James Ellroy's search for meaning. Likewise, but dissimilarly, Betty serves a double function in De Palma's film. She seems to be an embodiment of cinematic history split between classic and post-modern eras, and of De Palma's search to a...
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