While Robert Siodmak's noir triumph "Ernest Hemingway's 'The Killers'" flaunts its literary bloodlines, Hemingway's 1927 short story is little more than a pretext. The film actually investigates the fundamental post-WWII question: in a world where every man bears scars from the fight, how and why does he keep fighting? Siodmak's answer seems to be the very one given by Albert Camus in his famous essay "The Myth of Sisyphus." At the moment a man accepts the burden of his existence, bends to shou...
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