Aysegül Savas on White on White

This week Aysegül Savaş joined Adam live in our writer’s studio to discuss White on White, her book about art and artists, parents and their children, beauty and class, as well as the quest for perfection and the compromises we make in pursuit of it. White on White was called "marvelous" by Lauren Groff and "gentle, mysterious and profound” by Marina Abramović.

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A student moves to the city to research Gothic nudes, renting an apartment from a painter, Agnes, who lives in another town with her husband. One day, Agnes arrives in the city and settles into the upstairs studio.

In their meetings on the stairs, in the studio, at the corner café, the kitchen at dawn, Agnes tells stories of her youth, her family, her marriage, and ideas for her art - which is always just about to be created. As the months pass, it becomes clear that Agnes might not have a place to return to. The student is increasingly aware of Agnes's disintegration. Her stories are frenetic; her art scattered and unfinished, white paint on a white canvas.

What emerges is the menacing sense that every life is always at the edge of disaster, no matter its seeming stability. Alongside the research into human figures, the student is learning, from a cool distance, about the narrow divide between happiness and resentment, creativity and madness, contentment and chaos.

White on White is a sharp exploration of empathy and cruelty, and the stunning discovery of what it means to be truly vulnerable, and laid bare.

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Ayşegül Savaş is the author of Walking on the Ceiling. Her work has appeared in The New Yorker, The Paris Review, Granta, and elsewhere. She lives in Paris.

Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel Feeding Time here: https://shakespeareandcompany.com/S/9781910296684/feeding-time

Listen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1

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