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Group - Dragonette
Track 1 - I get around
Track 2 - Pick up the Phone
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From the very start, the concept was, in stark contrast to the rest of the Canadian scene during that ‘Nickelback moment‘, unashamedly and unapologetically POP. Dan explains, “I’d like to write songs that at least I can remember. And I’m very bad at remembering melodies and the lyrics, so it needs to be memorable!”
Through a few strokes of fortune, their first public appearances were baptisms of fire in the deep end of concert-dom. Their second-ever show was supporting New Order at NYC’s Hammerstein Ballroom, followed by a US tour supporting Duran Duran. All after recording just 2 songs in their basement.
Dragonette eventually signed a record deal, and, like fellow Canadians Peaches (who they know) and Gonzales (with whom Dan went to school), headed for Europe. The band decamped to London with Joel and hooked up with guitarist Will (the British quarter of Dragonette), where they honed their small but perfectly-formed, all-killer-no-filler repertoire. Ruthless perfectionists, they explain that “We don’t have any spare songs. We write songs till they’re finished, then we kill off other ones. It’s not like we picked 10 out of a possible 20 for the album.”
The results are a dirty, hook-heavy, electropop album called Galore with monsters like “I Get Around” and “Competition”, depicting a world of guilt-free pleasure mixed with an 80s party prowess. Martina isn’t interested in writing, she says, “songs to get depressed to.” As Dan puts it, “It’s hard enough working on songs that are *fun*. I can’t even imagine what it‘s like working on miserable material…” The record has received praise from such diverse sources as the NME. UK dailies the Observer, Times and Guardian, online pop bible popjustice, and has garnered multiple mentions from Perez Hilton (whose showcase the band performed at during last year’s SXSW).
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