Working: How Music Supervisors for Film and TV Source the Perfect Songs

This week, host Isaac Butler talks to music supervisors Bruce Gilbert and Lauren Mikus, whose most recent projects include the Hulu series Only Murders in the Building and the the multidimensional action movie Everything Everywhere All at Once.  After the interview, Isaac and co-host June Thomas talk about music choices in film and TV and discuss whether it’s better to pick well-known hits or more obscure deep cuts.  In the exclusive Slate Plus segment, Bruce and Lauren talk about the taste-making aspect of their job. Then they explain their process for creating a uniquely New York sound for Only Murders in the Building.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you’ll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices