This week we unironically appoint ourselves as judge Judy and executioner when it comes to deciding what constitutes "good" and "bad" writing. We wade, like treaclenauts through the metaphorical linguistic molasses, to address profligate supererogatory expatiated prose as well as the down right boring and clunky – in a quest to get to the bottom of the question; “So, what exactly makes bad writing bad?”
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