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This week on CounterSpin: Going on strike is something that people with no personal experience are comfortable depicting as frivolous and selfish. That extends to many corporate news reporters, who appear unable to present a labor action as other than, first and foremost, an unwonted interruption of a natural order. However else they explain the issues at stake, or humanistically portray individual strikers, the overarching narrative is that workers are pressing their luck, and that owners who make their money off the efforts of those workers are not to be questioned.
It’s a weird presentation, whether it’s baristas or dockworkers or TV and movie writers. As we record on May 25, the Writers Guild strike is on its 23rd day, and having the intended effect of shutting down production on sets around the country.
Eric Thurm wrote a useful explainer on the WGA strike for GQ. Thurm is campaigns coordinator for the National Writers Union, and a steering committee member of the Freelance Solidarity Project. We hear from him about some behind-the-scenes aspects of the strike affecting what you may see on screen.
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Plus Janine Jackson takes a quick look at recent media coverage of San Francisco.
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The post Eric Thurm on the Hollywood Writers’ Strike appeared first on FAIR.