We aren't going to leave these takes flappin' in the wind - join us as we land the conversation with part 2 of our discussion on A COURT OF WINGS AND RUIN by Maas.
What makes a "good" war text? How can we talk about gender and race in a fantasy-world divorced from our social reality? Or can popular fiction even effectively imagine such a world? Can you still get horny in a "Li-berry"?
Spoiler alert: This one split the judges on Whoa v. No. Tune in and decide where you land
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