We begin a three-part exploration of the Glass Paradise – an early 20th vision of a better world – starting off with Bruno Taut’s extraordinary Glashaus (1914), and the even stranger text which inspired it, Paul Scheerbart’s ‘Glassarchitektur’. Conceived as a model for a new and more beautiful way of living – the Glashaus is a glimpse at a future that never came to pass, filled with jewel-like cites and kaleidoscopic colour. Also, vacuum cleaners as insect exterminators, spinning crystal globes at every door, gold-leafed factories, glass fibre soft furnishings, and the ever-present threat of zeppelin attack.
Much of our material is drawn from the excellent ’Glass! Love!! Perpetual Motion!!! A Paul Scheerbart Reader’ by Josiah McElheny & Christine Burgin (eds) (University of Chicago, 2015) – highly recommended.
Music by –
Albert Campbell & Irving Gillette ‘By the dear old River Rhine’ (1911) at https://archive.org/details/edba-2410
Arthur F. Collins, Byron G. Harlan ‘On the banks of the Rhine with a Stein’ (1905) https://archive.org/details/edgm-9124
‘Ice Chimes’ from the album ‘Disquiet Junto’ by Lee Rosevere at http://freemusicarchive.org/music/Lee_Rosevere/Disquiet_Junto
‘Tarnished Copper’ from the album ‘Marimba, Vibraphone, Chimes & Bells’ by Podington Bear at http://freemusicarchive.org/music/Podington_Bear/Marimba_Vibraphone_Chimes__Bells
Look at pictures on our Google+ page:
https://plus.google.com/u/0/104384327113725304822
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