Download - Kritik: "Pelléas et Mélisande" in München

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Kritik: "Pelléas et Mélisande" in München

2024-07-10

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Nicht jede Oper ist opernhaft. In "Pelléas et Mélisande" von Claude Debussy gibt es keine Arien und wenig Action. Ein stilles Stück, das gerade deshalb besonders unter die Haut geht - wenn es gut gemacht wird. Am 9. Juli hatte eine Neuinszenierung bei den Münchner Opernfestspielen Premiere, prominent besetzt mit Christian Gerhaher als Golaud. Eine Kritik von Bernhard Neuhoff.