Bearing the built up trauma in my life, and coping with the impossible, was a special kind of training or programming, that allowed me to see things others couldn’t. My OBEs became stronger, and communication with E.T.s was commonplace in my life. I was about eight years old when I met INO, She taught me about human perception and how to refine my drawings. I could draw someone just by looking at them once because I have a photographic memory in a sense. It’s not complete, but very precise. I remember images I have seen before just as they are. I drew pictures all through school, and in my second year of high school, something very strange happened that would have a profound impact on my life.
In 1982, Bret Colin Sheppard (15), an aspiring art student, was asked to stay after school with another art student and view a slide show presentation of some very strange art. The woman who showed him this art was from SRI, Stanford Research Institute and Bret felt a strange sense of deja’ vu as he was shown the images and he never forgot the experience. Bret went on to have a professional career in art, his art style being of a surrealistic type, a dream scape of the mind. Years later, Bret is strangely compelled to pursue research into space images of the moon. He founds the Lunar Anomaly Research Society and, along with other anomalists, peruses lunar imagery looking for structures, unnatural architecture and other types of anomalies.
He is confronted with an image that stirs his memory and sees an image that he remembers seeing as a teenager in that darkened room. He begins a quest, looking for more of this surreal, embedded imagery found in hundreds of space mission photography to include images of Mars. Bret becomes convinced he is seeing extraterrestrial or extra dimensional (ET/ED) beings in contact with humanity in embedded imagery into space photographs via advanced holographic techniques.
view more