Thos and Tim ponder that musical theatre monolith, Hamilton, and dissect its status as the "future of musical theatre" and whether or not its cultural resonances work as well in the United Kingdom as they do in its American home. Everyone knows it's good but will it be remembered, and how many grains of salt do you need to swallow alongside the hype? He might be a different emperor but we come to praise Caesar, not bury him - honest!
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