Last episode, we followed Tarashi Hime's campaign on the peninsula. This episode we'll see just what happens when she comes back--it seems not everyone was ready to welcome her back with open arms. To make it back she would need to fight.
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Rough Transcript
Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua and this is Episode 41: Trouble On the Home Front
Now, before we get started, just a quick shout-out to Steve-O for donating to support the show. If you’d like to join him and just help us keep this thing going, we always appreciate any donations at kofi.com/sengokudaimyo. That’s ko(dash)fi.com/sengokudaimyo.
So, from the last episode, we’ve been talking about Okinaga Tarashi Hime, aka Jinguu, and her supposedly successful assault on the Korean peninsula. Of course, as we covered, and despite what the Chronicles would have us believe, this likely wasn’t the first time that warriors from the archipelago had gathered in boats and made the journey across the straits. In fact, if anything, Jinguu’s invasion may have been a story that encompassed numerous different assaults and generalized them into a single campaign. And it really is unlikely that the outcome of the raid was that anyone on the peninsula felt subjugated to Yamato, though there certainly may have been some payments made to hopefully prevent future raids.
“Hey Silla—those are some nice villages you have there. It would be a shame if anything were to happen to them.”
Either way, though, that is all only the beginning of Okinaga Tarashi Hime’s story in the Chronicles, and though they don’t exactly count her as a sovereign—the Nihon Shoki continues to refer to her by her title as wife of the sovereign and regent—one has to wonder at the fact that she gets to have her own book in the Chronicles. Not even Yamato Takeru can make that claim, and he was supposedly the one whose lineage would rule the archipelago.
I’ll drop a quick note here that the fact that she isn’t counted as a sovereign is not just something that we talk about today. Kitabatake Chikafusa, writing his own history in the 14th century, known as the Jinnou Shoutouki, gives Tarashi Hime her due and treats her with full honors, claiming she was actually the 15th sovereign, not just a regent. On top of that, there are many other records that accord her with titles, often anachronistic, that are otherwise only used for the other sovereigns of Japan. So even though the Nihon Shoki may not deign to give her the title, she certainly seems to have been a sovereign in all but name.
So there she was, a ruler with a powerful army and direct connections to the kami. Okinaga Tarashi Hime must have been at a high point. Her campaign against Silla had been successful, and she likely came back to the archipelago in quite a good mood. She probably would have been celebrating, if it weren’t for the fact that she had other things on her mind. For according to the Chronicles, no sooner had she gotten back to the island of Kyuushuu but she went into labor. The child she had been carrying finally was due. Before departing for the mainland she had performed a ritual involving a couple of white stones to put off the birth until she returned, and according to the stories, this must have been some medicine, because the Nihon Shoki claims she was gone for three years. Of course, this is still at a time when the Japanese weren’t exactly great at date-keeping, so it could easily be the case that three years was anything but. Still, they don’t seem to think anything of it—after all, she had done the ritual thing with the rocks, right? So all was good.
Now, though, she had successfully returned, and it was time for her to give birth. We aren’t given the details—did they have time to set up a parturition hut for her, or did it come on suddenly? All we know is that her birth was successful, and resulted in a healthy baby boy who would be known to posterity as Homuda Wake, aka—and this may be a bit of a spoiler—Oujin Tennou.
The birth of her son was likely great news for Tarashi Hime, but it also put her in a bind. After all, Homuda Wake was only a baby—just a newborn infant—and however legitimate his claim to his father’s throne, he was hardly the only one with such a claim. Tarashi Hime and her prime minister, Takechi no Sukune, both knew that their position was tenuous, even with their recent successes on the continent. It seems that Yamato wasn’t quite as unified as the Chronicles might have us believe.
Now, up to this point, the title of sovereign seems to have been passed down from one ruler to the next in a fairly orderly succession—or so we are led to believe. It may not have been the eldest child, and not even the child of the sovereign’s first wife, but it does seem to have largely just happened. But then again, was it really in the Chroniclers’ interest to try to challenge the legitimacy of the royal family? Wasn’t building an unbroken lineage back to Amaterasu Ohokami, the sun goddess herself, one of their key tasks?
And yet, despite all of that, there are hints throughout the stories that we’ve read that there were plenty of places where history may have taken a different turn—stories that may even cover up times when the lineage did break, only to be stitched back together through the efforts of some rather creative story tellers. Remember how Ninigi no Mikoto wasn’t the only Heavenly Descendant? There was also Nigi Hayahi no Mikoto, the ancestor of the Mononobe clan. Then, after Iware Biko had conquered Yamato, removing Nigi Hayahi’s descendants, his own chosen heir had to deal with a jealous older brother who wanted the throne. Then there was Prince Take Haniyasu and his wife, who apparently thought they should be in charge rather than his nephew Mimaki Iribiko. And of course, how can we forget that all of this was being compiled after Ohoama – aka Emperor Temmu - had usurped the throne of his own nephew in what would be known as the Jinshin no Ran. It wasn’t enough to just be named the heir, you had to be able to fight for it as well.
I think we can safely assume that Tarashi Hime and Takechi no Sukune realized this fact. For one thing, while she may have been Tarashi Naka tsu Hiko’s partner in the campaign against the Kumaso, she was not his only consort, and there were adult princes running around, who were probably already helping to run things—whether they were off running their own provinces or were keeping things afloat back in Yamato or wherever the seat of government was. And while she had been off on the peninsula, they would have had time to consolidate their own power base. Of these potential rivals, two in particular looked like they were going to be a problem—these were the princes Kakosaka Hiko and Oshikuma.
Now, it is little wonder that Kakosaka Hiko and Oshikuma might have some reservations about serving under their younger half-brother. After all, they doubly descended from royalty. Not only was their father the fourteenth sovereign, Tarashi Nakatsu Hiko, their mother was Oho Nakatsu Hime, the daughter of Prince Hiko Hito no Ohine, who, himself, was the son of the Twelfth sovereign, Oho Tarashi Hiko and his wife, Waka Iratsume. They had the bona fides of their lineage, so why should they bow and scrape to some kid who hadn’t even been born when their dad kicked the bucket?
Truth be told, it is unclear how strong Homuda Wake’s claim to the throne was. Sure, they all had the same father, but let’s take a look at his mother, Okinaga Tarashi Hime. Sure, she’s a badass conquering hero who leads troops into battle and speaks with the gods, but how did her background stand up to her husband’s other wife, Oho Naka tsu Hime? Of course, everyone was trying to connect themselves back to the royal family so that, as I’ve noted before, the family tree was often more the family bamboo stalk. Heck, even Takechi no Sukune has a genealogical link back to the legendary eighth sovereign, Oho Yamato Neko Hiko Kunikuru no Mikoto, who was supposedly his grandfather—man that guy must really be old. But how did these two separate lineages compare when it came to deciding who should take the throne?
Well, we are told that Okinaga Tarashi Hime’s father was a man named Prince Okinaga no Sukune—who may or may not be the same person listed in the Fudoki who assisted Oho Tarashi Hiko when he was creep-stalking Oho Iratsume over in Harima Province. Prince Okinaga no Sukune was, in turn, a great-grandson of the legendary 9th sovereign Waka Yamato Neko Hiko-ohohihi, also known as Kaika Tennouō. Perhaps more importantly, she descended through his son, the prolific Prince Hiko Imasu. But it wasn’t just Tarashi Hime’s paternal lineage that is mentioned—the scribes also recorded her maternal lineage as well. Now all of this is somewhat scattered and obscured in what became these long lists of names, but it is still there if you want to pull it out, especially in the Kojiki. There they have her maternal line traced back through her mother, Kadzuraki no Takanuka Hime, herself a descendant of family from Tajima, all the way back to a man that we talked about many episodes back: Ame no Hiboko.
Two things stand out in this lineage. First, it is Tarashi Hime’s connection to the Kadzuraki family. We’ve previously mentioned that “Kadzuraki” may be the name of the envoy to Silla that the Korean annals record as Kalyako, and later there would be another Kadzuraki no Sotsuhiko who would be sent over to the continent, so let’s not forget about that little fact. But looming much larger than that is the presence of Ame no Hiboko, who is said to have been a prince from the Korean peninsula. Specifically he is said to have been a prince of Silla, who followed his wife to Japan, where she ended up at the site of Naniwa where he ended up at Tsuruga Bay, where he was worshipped as a kami at the shrine of Kehi. And Kehi, as you may recall, was the location that Tarashi Naka tsu Hiko had moved the court before heading off to the south, and it was also the location that Tarashi Hime herself had departed from on her way to Kyushu. It seems that Homuda Wake, then, makes claims not only to the Yamato royal lineage, but also to a line of Silla kings, though the connection is not exactly air tight, as we don’t really have anyone in the Korean chronicles that we can identify as Ame no Hiboko, who comes down to us with a decidedly Japanese sounding name.
Now, again, we aren’t sure how much truth there is in any of this—in fact, we are pretty certain that much of the lineages are constructed to try to make everything neat and tidy. But if so, why tie Tarashi Hime—and, by extension, her son—to a legendary Silla Prince?
Well, I suppose that in the first case, it could have just been a way to give her legitimacy for her actions on the peninsula. After all, if she was descended from Silla royalty it would bolster her claim to be the rightful ruler when subjugating Silla. There is also another thought, though, and that is that it tells a story of Silla—or at least continental—blood in the royal line. Some have taken this to mean that Homuda Wake and his mother were entirely from the Korean Peninsula, and that this next story is basically a fanciful retelling of the conquest of Japan by a Korean prince, who stayed and later founded a new line of sovereigns. I’m still not willing to go that far, but it is not out of the realm of possibility that Tarashi Hime and her son were not solely descended from the Wa people of the archipelago, but that they did have Korean ancestors on the continent, as well. In fact, this is almost to be expected given the Wa’s use of marriage politics.
And this is probably the time to discuss one other line that many bring up on this topic, Homuda Wake’s own name. Scholars much more versed in the study of ancient Japanese and Korean have made the case that “Homuda”, or perhaps “Pomuda”, is clearly a Korean name, and not Japanese. For my part, I don’t know about that.
One claim, in the Chronicles, is that Homuda is an old name for a Japanese style of wristguard, known as a tomo. These were bulky pads that were tied around an archer’s wrist to keep the bowstring from striking into the inside of the arm. It is said that the young Homuda was born with a growth of his arm, and hence the name. On the other hand, I don’t think there is any other evidence of such a word in ancient Japanese, and the Chronicles don’t exactly have a great track record when it comes to etymology.
I would note that there was a Homutsu Wake – or Pomutu Wake - as the son of Ikume Iribiko and Saho Hime. He was never Crown Prince, that we know of, but is it so far a jump from Homutsu to Homuda? As for the title “Wake”, that would seem to be just that, a title. Is it possible that Homuda is simply a locative—a place name? If so, is that place in the archipelago or somewhere on the peninsula?
Regardless of the name, there is a question if what we are seeing is more than just a fight between rival heirs to the throne, or if there is something more. Is there, woven in here, an allegory for something else: the rise of elites that were closely tied with the Korean peninsula?
Certainly the changes on the peninsula had created some uncertain times. Goguryeo’s destruction of the Han commanderies meant that there was no longer the threat of continental reprisals to help keep all of the peninsular states at peace, and Silla and Baekje were bringing the other states of their confederacies under their sway—by force if necessary. And though they were the states that would come out victorious, we shouldn’t assume that they were the only ones. Where would the victims, displaced by these conflicts, end up going?
In addition, though there is no direct evidence that I’m aware of, I have to wonder if the life of the Japanese raiders didn’t appeal to certain peninsular people as well. It is a story that plays out time and again throughout history—farmers abandoning their fields, especially in times of conflict and uncertainty, to join up with the same people that the so-called civilized cultures deem as ruthless barbarians. In Great Britain, it wasn’t uncommon for Anglo-Saxon farmers to join up with the Norse raiders, and on the borders of empire, there are stories of peasant farmers abandoning their livelihood to take up with the nomads of the steppes. And why wouldn’t they? As part of a roving band they had opportunities to acquire wealth, whereas on the farm they were little more than targets for others. Would it have been so surprising if some number of people from the peninsula threw in with these Vikings of northeast Asia?
And again, that puts this whole story in a different light. While there is no evidence that there was a sweeping conquest of the archipelago by a peninsular force, could this struggle be rooted in the idea of a new and changing elite—one made up of a blending of people from the archipelago and the peninsula? The jury is still out, but we do know that from at least this point on, there were certainly more and more people who would be coming to Yamato from the continent, with entire families claiming that their ancestors were actually ancient peninsular royalty.
But much of that is to come, so for now, let’s return to the story at hand: Homuda Wake was little more than an infant, and his mother Okinaga Tarashi Hime, knew that she was probably going to have a fight on her hand as she tried to head back to Yamato along the Seto Inland Sea route. Thinking ahead, she decided on a clever ploy.
First, she dressed one of the ships in the style of a funerary boat. Word seemed to have gotten out that the sovereign, Tarashi Naka tsu Hiko, had died, and so she made it seem as though they were bringing his body back to the Yamato heartland so that it could be buried. This ship would sail the direct route, through the Seto Inland Sea, while another ship, carrying her infant son and under the command of her trusted prime minister, Takechi no Sukune, would take the long way, traveling along the Pacific coast side of Shikoku. It would add time to the journey, and expose the ship to some of the dangers posed by being on the open sea, rather than the relatively calm waters of the inland sea route, but those were nothing compared to the dangers that were likely lurking and waiting for them along the interior waterways.
And we’ve talked about this before, but it bears mentioning again, I believe—the Seto Inland Sea may be more protected from the weather and vagaries of the open ocean, but the numerous bays and islands also make it the perfect place for pirates and other nefarious actors who may want a piece of whatever was coming down that channel. The entire waterway is only 34 miles wide at its widest point, and in some places the widest passage between islands is still less than a mile. Furthermore, the many islands and shallow waters can make for some unpredictable currents, if you aren’t familiar with them. It was the fastest way from Kyushu to central Honshu, but it had its share of dangers.
Case in point: The two brothers, Oshikuma and Kakasaka Hiko, the other royal princes. They had heard about the birth of their infant half-brother, and they were determined to resist. Together they raised an army, and they came up with a ploy to intercept the royal ship. Claiming to build their father’s mausoleum in Harima province, they set up a line of boats going back and forth from Awaji Island to Akashi, in Harima Province. There is only about 4 kilometers—roughly two and a half miles—between the island and the shore, and their soldiers were patrolling back and forth.
This army wasn’t just their own men. The two brothers were joined by others from the eastern lands—likely those of Azuma, that Yamato Takeru is said to have pacified. These were Kurami Wake and Isachi no Sukune, and they were quickly made generals. Clearly it wasn’t just the two princes who had a problem with Tarashi Hime and her plans to put her own son on the throne.
Now while they were waiting—their ships spread out to ensure that they would catch Tarashi Hime as she would have to pass through their line or take a detour all the way south around Awaji Island—the two princes went out hunting. Of course, this wasn’t just any hunt—it was a divination hunt. You may remember that Tarashi Hime conducted several of these divinations before setting out for the peninsula, to establish the success of her endeavor. So, as they were planning to hunt Tarashi Hime and her son, the princes knew that if they were victorious in their hunt on land, they would be successful in their hunt on the water.
And so the two sat and waited. The elder brother, Kakosaka Hiko, climbed a tree to look out and see what he could observe. As he did so, a giant beast came crashing out of the underbrush—it was a wild boar.
Now I don’t know if you’ve ever had the experience of encountering a wild boar, but these aren’t like domestic pigs. The Japanese wild boar is, itself, a subspecies of the Eurasian wild boar, slightly smaller than its continental cousins they still can average about 100 kilograms, or about 220 lbs. But that’s just average. Even in the past couple decades there were boars that have been caught that were 220 and 240 kilograms. That’s over 500 lbs, and that isn’t the lazy fat of a pig, happy in its muck. That’s 500 lbs of lean muscle with two tusks 5 to 18 inches long. On top of that, they are aggressive. In Europe, the boar spear, used for hunting such animals, had a crossguard built into it to prevent the skewered animal from continuing to push up the spear to gore its attacker. Although they are not exactly hunters, they are still quite deadly, especially when you have to face them head on.
It was this ferocious vision of the forest that came out and attacked the two brothers. According to the chronicles it knocked down the very tree that Kakosaka Hiko had climbed up into to get a better view, and then gored him to death. Oshikuma, the youngest brother, escaped, but barely.
It would seem that their divination was anything but a success. With his brother dead, Oshikuma had to decide what to do next. Rather than confront Tarashi Hime’s forces as he had planned, he told one of his generals, Kurami Wake, to pull the troops back to Sumiyoshi, near modern Kobe, and they would wait there for the royal ship to arrive.
When that time came, Oshikuma looked out and he could hardly believe his luck. Where he had likely suspected an armada, fresh from their victories on the peninsula, instead he saw the ritual funerary ship, carrying the body of the deceased sovereign, his grieving wife, and only a handful of seamen to work the oars.
Oshikuma gave the words and his men got in their boats and rowed out, expecting an easy victory. But, as the wise Admiral Ackbar once said: “It’s a trap!”
No sooner were Oshikuma’s ships within range when the funerary ship was transformed. What they thought was an empty ritual vessel was quickly shown to be swarming with hardened veteran warriors. They fought back their surprised foes, who turned and ran, but Tarashi Hime’s forces pursued them. Her general at that time, since Takechi no Sukune was handling the infant Prince, was a man known to us as Naniwa-neko Take Furukuma no Mikoto, an ancestor of the Wani no Omi.
The royal forces pushed their opponents to the shore and then pursued them back all the way to Uji, in Yamashiro province. Take Furukuma, Tarashi Hime’s general, was eventually joined by Takechi no Sukune. The two forces found themselves camped out on either side of the river, each waiting for the other to make a move.
As they glared across the waters at each other, a man named Kuma no Kori in the army of Prince Oshikuma sang a song to encourage the men, in which he mocked Takechi no Sukune—or, as he is referred to in verse, Uchi no Ason.
Now the next part is a bit confused—the Kojiki attributes it all to Take Furukuma, but the Nihon Shoki gives the lion’s share of the credit to Takechi no Sukune. Either way, the basic tactic is more or less the same, regardless of who came up with it. First, the men of Tarashi Hime’s army took out their spare bowstrings and tied them into their hair like normal cords. Then he had them all put on wooden swords, made to look like the real thing. Once they did this, they called out to Oshikuma.
Takechi—or perhaps Furukuma—called out that they had received word that Tarashi Hime had died, and now all they wanted was to secure a promise that the young prince could live, and in return Oshikuma could take the throne—after all, why should anyone else fight and die over this. As a gesture of their goodwill, he had the royal army cut their bow strings and then thrown their swords into the water.
Prince Oshikuma, seeing victory at hand, accepted this and magnanimously returned the gesture. He had his men cut their own bowstrings, and throw their own swords into the river. Of course, no sooner had he done so than the ruse was revealed. Tarashi Hime’s forces pulled their spare bowstrings from their hair buns and quickly strung their bows and they started launching arrows at their now weaponless opponents. They grabbed up their real swords and started across the river.
Prince Oshikuma had no other options. Without weapons, there was only one thing he could do, so he ran. He and his men ran north, retreating all the way to Afusaka, near the shores of Lake Biwa. Takechi no Sukune and Take Furukuma continued to pursue Prince Oshikuma and routed him and his men all the way to Kurusu in Sasanami, where Prince Oshikuma’s army was finally destroyed. Defeated and facing certain death, Prince Oshikuma and his remaining general, Isachi no Sukune, decided to take their own lives rather than be captured. They sailed a ship out onto the lake, the Kojiki records the song that Prince Oshikuma sang:
Come my lads,
Rather than receive the wounds
Inflicted by Furukuma
Come, like the nipo birds
Let us dive into the waters
Of the lake of Afumi
And, so saying, they jumped into the lake together. Their bodies were swept downstream, and eventually washed ashore in Uji.
With their opposition now quite decidedly out of the picture, the generals returned, and Tarashi Hime took time in the peace immediately following the conflict to properly bury her husband, Tarashi Naka tsu Hiko. Supposedly he was buried not back in the area at the foot of Mt. Miwa, but instead outside the western mountains of the Nara basin at a place known as Nagae or Nagano, in Ega, in Kawachi Province. This has been identified as a late 5th century tomb in Fujidera, in modern Osaka, just south of the Yamato river where it comes out of the Nara Basin. Of course, much of this is suspect, but it certainly does seem like an impressive—even kingly—tomb.
Once her husband was in the mound, Tarashi Hime set up a court at the Wakazakura no Miya, or Young Cherry Blossom Palace, in Iware, on the eastern edge of the Nara Basin. And if Iware sounds familiar, you might remember that it was Iware Biko, aka Jimmu Tennou, who had supposedly marched in and conquered the Nara Basin some 800 or more years prior, at least according to the Nihon Shoki’s dating.
Here, in the Nara Basin, it seems that Homuda Wake was finally poised to take the throne at what I can only assume was the youngest age ever. Have no fear, however, for Tarashi Hime was more than ready to step in as regent and rule in his stead.
For 69 years.
Yes, once again that habit of the chronicles to go all timey-wimey, Jeremy Bearimy on us strikes again. Not only does the Nihon Shoki claim that Tarashi Hime was pregnant with Homuda Wake for three whole years before she brought him to term, but she then sits on the throne herself for 69 years as quote-unquote “regent”. Homuda Wake’s own chapter and deeds doesn’t start until she dies, 69 years into her reign. So something is going on here.
First off, it could be as simple as the idea that she was no regent, but she was the sovereign. Certainly much of the verbiage used for her is, much like with Yamato Takeru, verbiage that would be used for a sovereign. Indeed, in the Fudoki she is often treated as ruler in her own right, and like we discussed above, the later historian Kitabatake Chikafusa certainly viewed her as such—though that 14th century history was based more on his memory than on documents. Still, it supports one idea.
Another thought is that her reign is unnaturally long to account for other events dealing with the Korean peninsula, and we’ll certainly delve back into those. In this case, her rule is so long because she’s being held up as the embodiment of Queen Himiko, and the chronicles are using Himiko’s known dates as well as extrapolating back to the supposed dates of the older rulers.
There is one thought that in this time before the Japanese started writing things down the years were not based on actual seasons, but rather on harvests. Some have suggested that there were even three cycles a year, and that this was what was counted. If that were true, then 69 cycles might only really be 23 to 35 years—still past the age of majority for young Homuda Wake, but not nearly as excessively so.
And then there is the idea that there is actually a problem in the record, and that many of her exploits actually belong to her son. The problem with that is that he then goes on to reign for another 40 some-odd years. So while it is perfectly reasonable that some of his exploits—particularly some of the more martial exploits—were attributed to his mother, it doesn’t explain the supernatural longevity.
Personally, I simply don’t hold much with the chronology. Remember, Takechi no Sukune is supposedly with us through all of this. We’ll see that the earliest date that I might at all want to put any reliance on is about 366, and the last is roughly 385. Even these dates are suspect, but they seem much more reasonable, given other events that we know are going on. This gives us about 19 years to work with—a much more reasonable number than 69.
But what happened in those 19 years? Well, quite a lot, and much of it has to do with the peninsula. Before we get into all of that, though, let’s talk about the other things that happened in Japan.
First off, there were the kami. It certainly seems that the kami were jealous of the time that Tarashi Hime had spent on her campaign. In fact, when she was sailing back towards Yamato, before that whole mess with her stepsons, there was a point where her boat kept getting turned away, and she couldn’t get past Muko Bay in modern Hyogo prefecture. Now one might assume that this was because of the army that was waiting for her, but the Nihon Shoki makes the much more reasonable and sensible claim that it was the kami. Most importantly, Amaterasu Ohokami’s “rough spirit”, or “ara-mitama”, could not be allowed to approach the land of Yamato.
You may recall that the spirit of a kami could be divided up in various ways. This includes their rough, or wild spirit—the ara-mitama—as well as their gentle, or pacified spirit, known as the nigi-mitama. Of course, they had just been at war, so it is little wonder that Amaterasu’s ara-mitama might be with them, but they did not want that spirit of war brought into the heart of Yamato, so it was sent to be worshipped in Hirota by Hayama Hime, a daughter of Yamashiro-neko—a name that suspiciously sounds like they may have been an ancient ruler, or at least major noble, of Yamashiro province.
But that wasn’t all. You know how once you stop to talk to one person all of a sudden everyone else wants a piece of your time? It seems that Tarashi Hime had to deal with this as well, but with the kami. No sooner was Amaterasu Ohokami’s ara-mitama was taken care of than Waka Hirume asked to be worshipped in Nagawo, in Ikuta, just beyond modern Kobe. Then, Kotoshiro Nushi wanted to be worshipped in the land of Nakata, so Hayama Hime’s younger sister, Naga Hime, was sent out to perform the task. Finally, the three spirits that had started her out on her campaign, known as Uwa tsutsu no wo, Naka-tsutsu-no-wo, and Soko-tsutsu-no-wo, asked for their gentle spiritis, or Nigi-mitama, to be worshipped at Nunakura in Ohotsu, so they could watch the ships traveling back and forth through the Seto Inland Sea.
By the way, if any of those names seem familiar, they should. Of course we know Amaterasu, also known as Oho Hirume. Waka Hirume was her maiden, or perhaps even younger sister, who was doing the weaving when Susanowo tossed in that backwards flayed colt, at least in some of the stories. And then Kotoshiro Nushi was a son to the great god of Izumo, Ohokuni Nushi. We’ve encountered him a time or two back in the mythical period.
I mention all this because I find it significant that they are being mentioned at this juncture, because this seems to be that point where we see something else happen, at least in the archaeological record. Around the 4th century we see the abandonment of the Miwa area for some reason. The seat of power when the mounded keyhole tombs became a thing in the archipelago seems to have disappeared. Eventually, though, in that same century, there is a shift to the Kawachi area, and modern Ohosaka. Much of it was probably still under water as part of Kawachi Bay, but that was silting up and creating more and more land.
This is also an area where we see heavy influence from the peninsula, and we’ve already talked about all of the stories associated with the Korean peninsula and this area. This could simply be a reflection of increased immigration as well as increased trade, but with the mention of these kami, was there also something happening to the ancient Miwa cult? Are we starting to see other kami come in and take center stage? Of course, since this is all being written down at a much later date it is hard to pull apart all of the threads, but it does make one wonder.
Speaking of other kami, there is at least one more story that we should relate here. It is likely apocryphal, but it nonetheless adds a few more threads connecting this latest dynasty to the peninsula, because it deals with the god of Kehi.
Now at this time, the young prince, Homuda Wake, was probably no more than about 13 years old, and he went with the prime minister, Takechi no Sukune, on a tour of several provinces. At this point, I have to imagine that Takechi no Sukune must have been Homuda Wake’s father figure. The way they talk about Tarashi Hime and Takechi no Sukune, one almost thinks that they might have been married, but of course, no such allegation is ever made, though it does cause one to wonder. Takechi no Sukune wasn’t exactly a commoner—his lineage in the Chronicles goes back to before Mimaki Iribiko and to the line of sovereigns before him, or at least so they claim. And yet he is never mentioned as anything other than the prime minister and a dutiful officer of the court, still, it does make you wonder if there wasn’t something more in their relationship.
Still, his relationship with Homuda Wake, whatever may or may not have been going on with his mother was undeniably a close one. Travel such as this must have been quite the bonding experience.
Together they went through the province of Afumi and ended up at Tsuruga Bay, near Kehi. There the deity known as Izasa wake no Ohokami no Mikoto reached out to Takechi no Sukune in his dreams and told him that he wished to exchange names with the young prince. Takechi no Sukune agreed, and he said the words of blessing and promised that they would do whatever the kami had commanded. And given everything they had been through, I’m sure that Takechi no Sukune had learned to listen when the kami decided to speak to you.
Izasa wake no Ohokami seemed pleased, however. Rather than Takechi no Sukune preparing some elaborate offering it seems that the kami offered to handle that on his behalf. He simply had to go down to the beach the next day the kami would present the offerings.
The next morning, as he had been told to do, Takechi no Sukune made his way down to the beach. There it seems that a pod of dolphins had beached itself. Their snouts were broken and bloody, and they were lying all over the shore. Dolphins, which were hunted by the Japanese up through the modern day, were considered a source of food—and thus an offering for the exchange of names.
Now, what’s not quite clear to me is exactly what it meant, in this case, to exchange names. Does that mean that Homuda Wake received the name Homuda Wake at this point? If so, does that mean that was actually the original name of the kami of Kehi? If so, what was Homuda Wake’s original name? Was it Izasa Wake? This isn’t answered by the chronicles in any satisfactory way that I can make out. The kami of Kehi is given the name Mike tsu Ohokami, or the Great Kami of the August Food, since they had provided the dolphins as an offering. They are also called, rather uncreatively, Kehi no Ohokami. But nowhere does it actually demonstrate them exchanging names. It is possible that there is a problem with the way that the words are translated, and it was more a ceremony of giving each other new names—or even just getting a name of the kami. Either way it is a strange episode.
Following that encounter, Takechi no Sukune takes the young prince back home, where he is wined and dined with a great banquet by his mother. While the young prince was away, she had worried, as mothers around the world are want to do when their children are away. To take her mind off things, she caused to be brewed a particular sake, which she did as what would appear to be another ukehi—a kind of divination she was rather familiar with. It must have been successful because they did return safely, and in the end she had barrels of sake at her disposal, so what better way to get rid of them than to throw a party.
It was at that party that she invoked the name Sukuna, by which many people believe she meant Sukuna Bikona, the kami who had helped Oho Kuni Nushi. Apparently he had more than a little efficacy in the realm of sake, or at least so we gather by the way that he is invoked by Tarashi Hime in her poetry.
And I think that is enough for this episode. From here, we are going to get into more shenanigans with the peninsula. Notably, however, these are dated shenanigans. We can argue whether it was Tarashi Hime, Homuda Wake, or some unknown sovereign that took part, but the actual incidents seem to come from records older than our extant chronicles that actually describe real activities with what seem to be verifiable—if slightly offset—dates. These are largely from the Chronicles of Baekje, the country that would become one of Yamato’s closest allies, or so it would seem. There are certainly a couple of problems between what we read in the Nihon Shoki and what we read in the Kojiki, but I think we can get over those.
So, until next time, thank you for all of your support. If you like what we are doing, tell your friends and feel free to rate us on iTunes, Spotify, or wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate through our KoFi site, kofi.com/sengokudaimyo, or find the link over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Questions or comments? Feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.
That’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.
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