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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
Monroe studied with Lee Strasberg at the Actors’ Studio in New York City, and in The Seven Year Itch (1955) and Bus Stop (1956) she began to emerge as a talented comedian. In 1956 she married playwright Arthur Miller and briefly retired from moviemaking, although she costarred with Laurence Olivier in The Prince and the Showgirl (1957). She won critical acclaim for the first time as a serious actress for Some Like It Hot (1959). Her last film, the drama The Misfits (1961), was written by Miller specifically for Monroe, though their marriage disintegrated during production; they divorced in 1961.
In 1962 Monroe began filming the comedy Something’s Got to Give. However, she was frequently absent from the set because of illnesses, and in May she traveled to New York City to attend a gala where she famously sang “Happy Birthday” to Pres. John F. Kennedy, with whom she was allegedly having an affair. In June Monroe was fired from the film. Although she was later rehired, work never resumed. —she was also rumoured to have had an affair with U.S. Attorney General Robert F. Kennedy—or that she had information linking the two men to organized crime. Although there was insufficient evidence to support these claims, conspiracy theories persisted.
In their first runs, Monroe’s 23 movies grossed a total of more than $200 million, and her fame surpassed that of any other entertainer of her time. Her early image as a dumb and seductive blonde gave way in later years to the tragic figure of a sensitive and insecure woman unable to escape the pressures of Hollywood. Her vulnerability and sensuousness combined with her needless death eventually raised her to the status of an American cultural icon.
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