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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
[School of Movies 2023]
Part III of the Coen Brothers series. In 1998 they pulled together what might in fact be their most beloved film for fans of their oeuvre. Definitely the most eminently quotable, by virtue of a script that is almost a musical in terms of how often phrases and lines are repeated and reprised, layering absurdity upon each scenario and impeccably delivered by an astonishing cast. It follows a California layabout named Jeffrey Lebowski who is mistaken for a local philanthropist of the same name. Chaos ensues.
Jeff Bridges, John Goodman, Julianne Moore, David Huddleston, Steve Buscemi, Phillip Seymour Hoffman, Sam Elliott, Peter Stormare, John Turturro and Tara Reid all play eccentric characters in this sly parody of a film noir kidnapping mystery. One where pretty much everyone is far less competent than they are pitching to the world. It's a real "No One Knows What They're Doing" scenario, as FilmJoy might say.
Some folks are baffled as to why it's so vociferously beloved, so we have attempted to convey that here. Sharon and I rambled like crazy over two delirious recording sessions, and I wound up trimming out 45+ minutes of utter crap that isn't worth saving for a Cutting Class. This is why mere synopsising and vaguely commenting on why a scenario is funny does not constitute critique for me. Luckily, what remained in place, and what I was able to editorialise after the fact, I am proud of.
Next time around, a double-bill of period musicals, both of which also contain John Goodman SCREAMING!
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