A NEW HOPE minutes 96-100 take us from the TIE fighter attack to the Rebel base on Yavin. Composer and music/sound editor Nick Norton joins Xanthe for a discussion about jungle soundscapes, downtime in the cockpit, and the 5 categories of sound in film.
Discussion points:
- 00:00 - Hello there!
- 16:27 - Vertical harmony
- 20:00 - TIE fighter music talk-through
- 27:05 - Math and music editing
- 33:44 - 5 categories of sound in film.
- 42:33 - Transition to Yavin
- 53:12 - What is "production sound"?
- 5 types of sound in film
- 1:10:40 - SWMM Questionnaire
Things Mentioned:
- Making Waves: The Art of Cinematic Sound (documentary) - https://youtu.be/xsckp8r1-8c
- Flash Gordon Series musical score by Franz Liszt - https://youtu.be/YgyJtJNiYZY
Themes:
- 2. Rebel Fanfare
- 8. TIE Fighter Attack
- 5. Death Star
- Note: I use the theme names and numbers established in Frank Lehman's Complete Catalogue of the Musical Themes of Star Wars. You can download it free at his website: https://franklehman.com/starwars/
Soundtrack stuff:
- Last minute of "Ben Kenobi's Death/TIE Fighter Attack"
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SWMM Questionnaire:
1. In exactly 3 words, what does Star Wars sound like?
2. What's something related to Star Wars music or sound that you want to learn more about?
- More about Ludwig Göransson's process. How is/was the work divided (between Göransson and Joseph Shirley) in The Book of Boba Fett? How do electronics and sound design feed into the sound of The Mandalorian?
3. What's a score or soundtrack you're fond of besides anything Star Wars?
- Blade Runner 2049 (composed by Hans Zimmer and Benjamin Wallfisch)
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Nick Norton:
- Website: https://nickwritesmusic.com/
- Instagram: https://www.instagram.com/notnicknorton/
- Twitter: https://twitter.com/nickwritesmusic
- Equal Sound: https://equalsound.org/
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