The French crime film is different from those of other countries for several reasons. While some, certainly Jean Dellanoy's Soleil Des Voyeux (aka Action Man) draw elements from the German Krimi and the George Nader Jerry Cotton films and even the serial (particularly those of Feuillade, whose Fantomas and Les Vampires remain surprisingly gripping and modern in feel and approach), the overarching vibe is less that of contemporaneous American crime films or Italian poliziotteschi than it is, as you might expect from the nation that coined the term, the American film noir and gangster pictures of the late 30s and 1940s.
And as with the idiosyncratic and often groundbreaking critics turned directors of the Nouvelle Vague, the French crime film less pays strict homage to than integrates the driving elements and visual aesthetic of American noir in a more contemporary sense, improving and updating them to something more suited and appealing to a modern audience: think much venerated names like Jean Pierre Melville, Rene Clement, Georges Lautner, Jean Paul Belmondo and Alain Delon.
So join us as we discuss one of the most notable and influential genres of its type, the French Crime film, only here on Weird Scenes!
Week 109 (11/2/23): Crimenaux ala Francais - Crime The French Way
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