In this episode, we discuss recordings of “Luzzaschi: Il Concerto Segreto” (Ricercar) by La Néréide, Camille Allérat, Julie Roset & Ana Vieira Leite, “Letter(s) to Erik Satie” (Erato) by Bertrand Chamayou, “Pärt: Tractus” (ECM) by Maria Listra, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra / Tonu Kaljuste, “Antwerp” (Origin Records) by John Bishop, “In His Timing” (Gregory Tardy/WJ3 Records) by Gregory Tardy, and “Elegante” (Black Stamp Music) by Abdu Salim.
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Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.
“Luzzaschi: Il Concerto Segreto” (Ricercar)
La Néréide, Camille Allérat, Julie Roset, Ana Vieira Leite
https://open.spotify.com/album/0IXTrTRdnDDqy3nvCS4OuD
https://music.apple.com/us/album/luzzaschi-il-concerto-segreto/1697884141
“Letter(s) to Erik Satie” (Erato)
Bertrand Chamayou
https://open.spotify.com/album/15s569on1J3khSfNhrww86
https://music.apple.com/us/album/letter-s-to-erik-satie/1701040018
“Pärt: Tractus” (ECM)
Maria Listra, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra / Tonu Kaljuste
https://open.spotify.com/album/165jhGJYICcxKlxIHa1zOF
https://music.apple.com/us/album/arvo-pärt-tractus/1707573554
“Antwerp” (Origin Records)
John Bishop
https://open.spotify.com/album/6UHJBMmbsVrgdBJVTqVpXk
https://music.apple.com/us/album/antwerp-feat-bram-weijters-piet-verbist/1710046320
“In His Timing” (Gregory Tardy/WJ3 Records)
Gregory Tardy
https://open.spotify.com/album/4XLtf81IlIpKKiRK8Rpw9W
https://music.apple.com/us/album/in-his-timing/1715785876
“Elegante” (Black Stamp Music)
Abdu Salim
https://open.spotify.com/album/24MpllhYhrsDKo5EHNv9Fk
https://music.apple.com/us/album/elegante/1715484462
Be sure to check out:
"Same Difference: 2 Jazz Fans, 1 Jazz Standard"
Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.
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